Information for "Museum of Too Modern Art"
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Basic information
| Display title | Museum of Too Modern Art |
| Default sort key | Museum of Too Modern Art |
| Page length (in bytes) | 2,878 |
| Page ID | 6186 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
| Page image | .jpg) |
Page protection
| Edit | Allow all users (infinite) |
| Move | Allow all users (infinite) |
Edit history
| Page creator | Admin (talk | contribs) |
| Date of page creation | 19:39, 7 May 2010 |
| Latest editor | Simon Zlahtic (talk | contribs) |
| Date of latest edit | 02:33, 15 February 2020 |
| Total number of edits | 17 |
| Total number of distinct authors | 6 |
| Recent number of edits (within past 90 days) | 0 |
| Recent number of distinct authors | 0 |
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... more about "Museum of Too Modern Art"
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Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.Potočnik]]. +
Although the autonomous theoretical concep … Although the autonomous theoretical concept of "too modern art" originates in an anecdotal refusal of Oliver Marčeta's paintings by a local gallery, the Museum of Too Modern Art dates from 1999 when Tomaž Drnovšek - Vinči sold his cows and offered his stable for contemporary art exhibitions to a group of disappointed founding artists Boštjan Plesničar, Oliver Marčeta, Grega Mastnak, Vladimir Leben, and Ervin Potočnik.stnak, Vladimir Leben, and Ervin Potočnik. +
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