Latest Entries
ELIAS Art Residency
updated 6 hours ago
ELIAS Art Residency, established in 2022, takes place in Elias 2069, an interdisciplinary art and research institute located in a renovated former village school in the village Mohorje. The space functions simultaneously as an art residence, an educational platform and a long-term experimental project dedicated to developing new cultural, ecological and social imaginaries.
Beletrina Digital
updated 14 hours ago
Beletrina Digital is a digital services company that manages the multimedia subscription platform of the same name. Established in 2024 by the Beletrina Publishing Institute, the platform offers more than 4000 audio books, more than 4500 e-books, more than 500 films and series, original podcasts, quality journalism, and more. The content is available for various viewing experiences (e.g., e-readers, smartphones, laptops etc.) and aims to present carefully curated content for the discerning public.
Ustvarjalna Evropa v Sloveniji: Gledališče Glej kot prostor za eksperiment, participativne prakse in avtorsko ustvarjanje mladih
updated 14 hours ago
V zaključnem obdobju Ustvarjalne Evrope (2021–2027) in v času, ko se na evropski ravni oblikuje nov program financiranja za kulturne in ustvarjalne sektorje, AgoraEU, je pravi trenutek, da se ozremo nazaj na izkušnje, dosežke in premike, ki jih je mednarodno sodelovanje v evropskih projektih omogočilo slovenskim organizacijam. Ambasadorji Ustvarjalne Evrope, ki prihajajo iz različnih organizacij in ustvarjalnih sektorjev, vendar jim je skupno aktivno udejstvovanje v mednarodnem prostoru, so z nami delili svoje bogate izkušnje in poglede. Raznoliki prispevki osvetljujejo specifične poti organizacij, hkrati pa razodevajo globlje vpoglede v razvoj umetniških praks, institucionalnih modelov in kulturnega ekosistema v Sloveniji.
Z Barbaro Poček in Ingo Remeta smo se pogovarjali o Gledališču Glej kot prostoru za eksperiment, participativne in avtorske prakse z mladimi ter o tem, kako so evropski projekti vplivali na njegovo umetniško, produkcijsko in strateško usmeritev in razvoj. Vabljeni k branju, zapise drugih ambasadorjev pa lahko preberete tukaj.
Creative Europe in Slovenia: Glej Theatre as a Space for Experimentation, Participatory Practices, and Devised Theatre by Young People
updated 14 hours ago
In the final period of Creative Europe (2021–2027), as the new funding programme for the cultural and creative sectors – AgoraEU – is being shaped at the European level, this is an opportune moment to reflect on the experiences, achievements, and shifts that international collaboration in European projects has brought to Slovenian organisations. The Creative Europe Ambassadors, coming from various organisations and creative sectors but united by their commitment to active engagement in the international arena, have generously shared their extensive experience and perspectives. These varied contributions highlight the specific trajectories of individual organisations while also offering deeper insights into the development of artistic practices, institutional models, and the cultural ecosystem in Slovenia.
We spoke with Barbara Poček and Inga Remeta about Glej Theatre as a space for experimentation, participatory practices, and devised theatre by young people, and the way in which European projects have influenced Glej’s artistic, production, and strategic orientation and development. We invite you to read on; contributions from other ambassadors are available here.
Ustvarjalna Evropa v Sloveniji: Bunker v soustvarjanju mednarodnega prostora uprizoritvenih umetnosti
updated 14 hours ago
V zaključnem obdobju Ustvarjalne Evrope (2021–2027) in v času, ko se na evropski ravni oblikuje nov program financiranja za kulturne in ustvarjalne sektorje, AgoraEU, je pravi trenutek, da se ozremo nazaj na izkušnje, dosežke in premike, ki jih je mednarodno sodelovanje v evropskih projektih omogočilo slovenskim organizacijam. Ambasadorji Ustvarjalne Evrope, ki prihajajo iz različnih organizacij in ustvarjalnih sektorjev, vendar jim je skupno aktivno udejstvovanje v mednarodnem prostoru, so z nami delili svoje bogate izkušnje in poglede. Raznoliki prispevki osvetljujejo specifične poti organizacij, hkrati pa razodevajo globlje vpoglede v razvoj umetniških praks, institucionalnih modelov in kulturnega ekosistema v Sloveniji.
Alma R. Selimović v prispevku reflektira dolgoročno kontinuirano vpetost Bunkerja v mednarodne projekte in mreže ter soustvarjanje mednarodnih festivalov in koprodukcij, hkrati pa odpira širša vprašanja pogojev za delovanje kulturnega sektorja danes. Vabljeni k branju njenega prispevka, zapise drugih ambasadorjev pa lahko preberete tukaj.
Creative Europe in Slovenia: Bunker – Co-shaping the International Performing Arts Scene
updated 14 hours ago
In the final period of Creative Europe (2021–2027), as the new funding programme for the cultural and creative sectors – AgoraEU – is being shaped at the European level, this is an opportune moment to reflect on the experiences, achievements, and shifts that international collaboration in European projects has brought to Slovenian organisations. The Creative Europe Ambassadors, coming from various organisations and creative sectors but united by their commitment to active engagement in the international arena, have generously shared their extensive experience and perspectives. These varied contributions highlight the specific trajectories of individual organisations while also offering deeper insights into the development of artistic practices, institutional models, and the cultural ecosystem in Slovenia.
In her contribution, Alma R. Selimović reflects on Bunker Institute’s long-term involvement in international projects and networks, as well as the co-creation of international festivals and co-productions, while also raising broader questions about the conditions under which the cultural sector operates today. We invite you to read on; contributions from other ambassadors are available here.
Ustvarjalna Evropa v Sloveniji: Pionirski dom na poti poguma, učenja in zaupanja
updated 15 hours ago
V zaključnem obdobju Ustvarjalne Evrope (2021–2027) in v času, ko se na evropski ravni oblikuje nov program financiranja za kulturne in ustvarjalne sektorje, AgoraEU, je pravi trenutek, da se ozremo nazaj na izkušnje, dosežke in premike, ki jih je mednarodno sodelovanje v evropskih projektih omogočilo slovenskim organizacijam. Ambasadorji Ustvarjalne Evrope, ki prihajajo iz različnih organizacij in ustvarjalnih sektorjev, vendar jim je skupno aktivno udejstvovanje v mednarodnem prostoru, so z nami delili svoje bogate izkušnje in poglede. Raznoliki prispevki osvetljujejo specifične poti organizacij, hkrati pa razodevajo globlje vpoglede v razvoj umetniških praks, institucionalnih modelov in kulturnega ekosistema v Sloveniji.
Urša Strehar Benčina in Bjanka Kršmanc v svojem prispevku osvetljujeta, kako je Pionirski dom z vztrajnostjo, samoevalvacijo in razvijanjem tesnih in zanesljivih odnosov vstopal v mednarodni prostor. Njuna izkušnja poudarja pomen dolgoročnih partnerstev pri razvoju organizacije. Vabljeni k branju njunega prispevka, zapise drugih ambasadorjev pa lahko preberete tukaj.
Creative Europe in Slovenia: Pionirski dom on a Journey of Courage, Learning, and Trust
updated 15 hours ago
In the final period of Creative Europe (2021–2027), as the new funding programme for the cultural and creative sectors – AgoraEU – is being shaped at the European level, this is an opportune moment to reflect on the experiences, achievements, and shifts that international collaboration in European projects has brought to Slovenian organisations. The Creative Europe Ambassadors, coming from various organisations and creative sectors but united by their commitment to active engagement in the international arena, have generously shared their extensive experience and perspectives. These varied contributions highlight the specific trajectories of individual organisations while also offering deeper insights into the development of artistic practices, institutional models, and the cultural ecosystem in Slovenia.
In their contribution, Urša Strehar Benčina and Bjanka Kršmanc show how Pionirski dom Centre for Youth Culture entered the international arena with perseverance, self-evaluation, and by cultivating close, reliable relationships. Their experience highlights the importance of long-term partnerships in the development of an organisation. We invite you to read on; contributions from other ambassadors are available here.
Ustvarjalna Evropa v Sloveniji: Invida v razvoju medsektorskih pristopov med glasbo, izobraževanjem in tehnologijo
updated 15 hours ago
V zaključnem obdobju Ustvarjalne Evrope (2021–2027) in v času, ko se na evropski ravni oblikuje nov program financiranja za kulturne in ustvarjalne sektorje, AgoraEU, je pravi trenutek, da se ozremo nazaj na izkušnje, dosežke in premike, ki jih je mednarodno sodelovanje v evropskih projektih omogočilo slovenskim organizacijam. Ambasadorji Ustvarjalne Evrope, ki prihajajo iz različnih organizacij in ustvarjalnih sektorjev, vendar jim je skupno aktivno udejstvovanje v mednarodnem prostoru, so z nami delili svoje bogate izkušnje in poglede. Raznoliki prispevki osvetljujejo specifične poti organizacij, hkrati pa razodevajo globlje vpoglede v razvoj umetniških praks, institucionalnih modelov in kulturnega ekosistema v Sloveniji.
Blaž Gregorin je v okviru produkcijskega studia Invida sodeloval pri medsektorskem projektu Fortissimo. Izhajajoč iz te izkušnje v svojem prispevku odpira vprašanja o pogojih za razvoj in realizacijo inovativnih projektnih idej ter o vlogi tehnologije, umetne inteligence in medsektorskega povezovanja. Vabljeni k branju, zapise drugih ambasadorjev pa lahko preberete tukaj.
Creative Europe in Slovenia: Invida – Developing Cross-Sector Approaches Between Music, Education, and Technology
updated 15 hours ago
In the final period of Creative Europe (2021–2027), as the new funding programme for the cultural and creative sectors – AgoraEU – is being shaped at the European level, this is an opportune moment to reflect on the experiences, achievements, and shifts that international collaboration in European projects has brought to Slovenian organisations. The Creative Europe Ambassadors, coming from various organisations and creative sectors but united by their commitment to active engagement in the international arena, have generously shared their extensive experience and perspectives. These varied contributions highlight the specific trajectories of individual organisations while also offering deeper insights into the development of artistic practices, institutional models, and the cultural ecosystem in Slovenia.
Blaž Gregorin, working through the production studio Invida, participated in the cross-sector project Fortissimo. Drawing on that experience, he reflects on what is needed to develop and realise innovative project ideas, and on the roles of technology, artificial intelligence, and cross-sector collaboration in bringing them to fruition. We invite you to read on; contributions from other ambassadors are available here.