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− | Established in [[established::2004]], [[KUD Kentaver]] started as a vehicle for [[Dejan Koban]] and [[Veronika Dintjan]] to organise poetry readings in a somewhat more relaxed manner, which they thought was lacking at that time. While the first evenings were organised in the [[Celica Hostel]], | + | Established in [[established::2004]], [[KUD Kentaver]] started as a vehicle for [[Dejan Koban]] and [[Veronika Dintjan]] to organise poetry readings in a somewhat more relaxed manner, which they thought was lacking at that time. While the first evenings were organised in the [[Celica Hostel]], by the end of 2005 the pair took over the [[Young Rhymes]] series and has since been more or less preoccupied by it and the festival of the same name that has emerged over time. |
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− | Nevertheless, KUD Kentaver has also been active in publishing and has released a number of | + | Nevertheless, KUD Kentaver has also been active in publishing and has released a number of poetry booklets know as ''Little Ignored Books''. They are a D-I-Y affair, all of them numbered and signed by the authors – who, naturally, have also been hosted at one of the Young Rhymes evenings. |
− | + | KUD Kentaver's latest endeavour is a co-production of the [[Literodrom]], an international festival devised with the aim of mapping developing literary practices. | |
==See also== | ==See also== |
Nevertheless, KUD Kentaver has also been active in publishing and has released a number of poetry booklets know as Little Ignored Books. They are a D-I-Y affair, all of them numbered and signed by the authors – who, naturally, have also been hosted at one of the Young Rhymes evenings.
KUD Kentaver's latest endeavour is a co-production of the Literodrom, an international festival devised with the aim of mapping developing literary practices.
Culture.si offers information on Slovene cultural producers, venues, festivals and support services, all in one place. It encourages international cultural exchange in the fields of arts, culture and heritage. The portal and its content is owned and funded by the Ministry of Culture, funded by the European Union Recovery and Resilience Plan and developed by Ljudmila Art and Science Laboratory.