Creative Slovenia in 2018: a fascinating feat again

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Slovene Association of Historic Towns (logo) Refresh project.jpg

Since 1997 hundreds of cultural organisations from across Europe join in for a very special set of administrative and discursive protocols. New projects are painstakingly compiled and proposed each year as artists and producers aim for co-funding from one of the European Union's programm's for the cultural and creative sectors. Today these programmes are united under the name Creative Europe.

Slovene cultural producers have been consistently successful in these programmes. In fact, through an impressive performance of their application-genius, in 2018 the 5 project leaders have managed to claim no less than 2.8 million euros, while 17 Slovene producers are engaged as partners in granted Cooperation Projects of the Culture sub-programme.

The REFRESH cooperation project led by Slovene Association of Historic Towns got the Creative Europe support related to the European Year of Cultural Heritage 2018,

Culture.si | Editorial


Since 1997 hundreds of cultural organisations from across Europe join in for a very special set of administrative and discursive protocols. New projects are painstakingly compiled and proposed each year as artists and producers aim for co-funding from one of the European Union's cultural programmes. Today these programmes are united under the name Creative Europe.

Worth about a billion and a half euros and covering the period between 2014 and 2020, Creative Europe is – to put it briefly – an instrument to support the creation of a shared European cultural space and identity. It is divided into two subprogrammes, the film-focused MEDIA, and the more diverse CULTURE, further partitioned into Literary Translations, European Platforms, European Networks and Cooperation Projects. It is the latter one the Slovene cultural producers have consistently been excelling in with considerable panache. In 2018, 20 Slovene organizations are participating in the 20 supported Cooperation Projects of the Culture sub-programme.



18 years ● 205 organisations ● 858 projects
    Organisations by status
  • Public
  • Private
    Projects by field
  • film and audiovisual projects
  • interdisciplinary projects
  • multimedia and new technologies
  • books and reading / literary translation
  • cultural heritage
  • architecture, design and applied arts
  • performing arts (theatre, dance, music)
  • visual arts
    Organisation's role in the project
  • beneficiary
  • co-beneficiary



EU funding illustrated

The infographic above is based on an interoperability project carried out by Culture.si and CED Slovenia. It features data that relates to EU funding for culture as a whole, encompassing the film and audiovisual media programmes (up until 2014 led under a separate entity known as MEDIA) as well as the two seven year schemes for culture (these were preceded by some smaller sector-related programmes from the late 1990s, for which Slovenia was not eligible yet).

Each square represents one participant organisation and clicking on them will take you to the more in-depth project descriptions. The infographic itself shows the distribution of projects by art field, by the organisation's role in the project and – interestingly – by the organisation's status as either a public or a private entity.

Note that the 2018 project line on this infographic is incomplete at the time of the writing of this article as we are in August 2018.

Natural born cultural managers?

When analysing the results of the previous years (2007–2011 and 2014–2015), Peter Inkei of the Budapest Observatory already stated in 2016 that "Slovenia is the incontestable east-central European champion in the Creative Europe programme". Thus his recent statement is merely a reiteration, as he wrote in May 2017, that "the champion is again Slovenia with a 35% success rate".

What he is referring to with the success rate in 2017 is that out of 20 projects with a Slovene "project leader" (the projects are comprised of one lead organisation and several partner ones), 7 managed to be successful in obtaining funds. The other 74 endorsed projects – chosen out of the 548 submitted applications – featured 10 Slovene organisation as partners (which, between us, can often be the preferable position in terms of the funds/responsibility trade-off). With all this in mind, Inkei rhetorically wonders if Slovenes are "born cultural managers". They might be, but more probably it is the complex historic composition of the Slovene cultural landscape (especially the NGO scene) that should offer interesting clues in this regard.

Creative Europe Desk 2017 Ljubljana Puppet Theatre CE project.jpg


Input of the Creative Europe Desk Slovenia (Motovila Institute)

There is, however, one factor that seems to stand out as rather important – the Creative Europe Desk Slovenia. This is the national information office for such matters, led by the small, but dedicated and trusted, NGO Motovila Institute. Recently, its crew, in a telling phrase that further elaborates Inkei's remark, has been labelled by one of the grant-winning producers as "our mothers".

Be that as it may, helping out the applicants with advice, conducting informative workshops and carrying out other matters of general support, Motovila team sports a systematic approach towards producing a community-based pool of skills, tricks, contacts, and the like.

Anyway, the year 2018 has brought excellent results again.

Recent Culture Cooperation Project recipients

The chosen propositions from Slovenia are of course very diverse. One would be hard pressed to find a common theme even as the wordings of project descriptions tend to be somewhat generic, their authors striving to align them with the supposed affinities of Brussels.

The composition of successful organisations is similarly miscellaneous, ranging from small organisations to big and venerated art producers. While 6 of the participating organisations haven't had any prior experience in EU's cultural programmes, the 14 of them are veterans with at least one project under their belts. If in 2017 the public institutions have significantly boosted their Creative Europe profile, and have almost caught up with the previously much more industrious NGO sector, also in 2018 out of 18 organisations there are 8 successful public institutions.




Slovene Association of Historic Towns (logo) Refresh project.jpg

2018 recipients

2017 recipients

European platforms:

Literary translation scheme:

See also

External links

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