OHO Group Award
The award and its international context
The aim of the OHO Group Award is to provide support to young artists and facilitate the continuation of their activities by shifting them from the marginal to a central role in the society. The award comprises a 6-week residency in the studio of the ISCP in New York (possibilities for networking and establishing contacts with curators linked up with the host institution); a solo exhibition in the P74 Centre and Gallery and the purchase of the artwork by the investment company KD Group. Other funders include the Trust for Mutual Understanding (New York), the ISCP (New York), the European Cultural Foundation (Amsterdam), the Municipality of Ljubljana, and the Slovenian Ministry of Culture.
The OHO Group Award has been a part of the Young Visual Artists Awards international residency award programme since 2006. The YVAA was established by The Foundation for a Civil Society (FCS) in 1990 in the Czech Republic and now affiliating ten countries in Central Europe and South East Europe. It plays an important role in shaping the emerging artists' international careers.
Nominees and prize winners
The prize winners of the OHO Group Award have included Sašo Sedlaček for the artwork Žicar/The Beggar Robot (2006) selected from among the nominees Nika Oblak and Primož Novak, Lada Cerar, Aleksandra Vajd; Miha Presker and Luiza Margan (2007) selected from son:DA, Jaša Mrevlje, Matjaž Wenzel; Mladen Stropnik (2008) selected from Aleksandra Domanović, Sebastjan Leban and Staš Kleindienst, Small but Dangers (Mateja Rojc and Simon Hudolin-Salci); and Ana Čigon (2009) selected from among Vesna Bukovec, Sašo Vrabič, Tanja Vujasinović. In 2010 Maja Hodošček was bestowed, other nominees were Veli Silver, Matija Brumen, and Mito Gegič.
The recent prize winners were Beli Sladoled (2011), Tomaž Furlan (2012), Veli Silver (2013), Staš Kleindienst (2014), Lenka Đorojević and Matej Stupica (2015); and Mark Požlep (2016).
The OHO Group
The award was named by the influential Slovene avant-garde artist group OHO, active in the second half of the 1960s and early 1970s. The members of the group wanted to develop a radically different relationship towards the world: instead of a humanistic position, which implies a world of objects dominated by the subject, they wanted to achieve a world of things, where there would be no hierarchical difference between people and things; the correct relationship towards such a world is not action, but observing. OHO used a number of media (and their in-between forms), drawings, photographs, film, video, music, texts, but also a way of dressing, living and behaving, to redirect the awareness of people into Reistic observing.
Installation view of OHO Group exhibition at the Moderna galerija (MG) in 1994, curated by Igor Zabel.
See also
External links
- OHO Group Award web page
- P.A.R.A.S.I.T.E. Institute website
- Foundation for a Civil Society (New York) website
- ISCP (New York) website
- Trust for Mutual Understanding (New York) website
- The OHO Group on Wikipedia (in Slovenian)