Difference between revisions of "Irwin"

Revision as of 23:27, 3 December 2012

The internationally acclaimed Irwin group was established in Ljubljana in 1983 by 5 artists: Dušan Mandič, Miran Mohar, Andrej Savski, Roman Uranjek and Borut Vogelnik. Along with the Laibach music group, the performance group Scipion Nasice Sisters Theatre (which later evolved into Noordung Cosmokinetic Cabinet) and the design section Novi kolektivizem (NK), the Irwin group is part of the Neue Slowenische Kunst (NSK) movement.

The name of the group Irwin comes from a reference to Marcel Duchamp (Rrose Sélavy) and was initially Rrose Irwin Sélavy but was soon shortened to R Irwin S.

Working procedure

One of Irwin's main principles is building one’s own artistic position out of one’s particular circumstances. They believe that by being particular, art can become truly universal so they construct their own conditions. In the work of the group two fundamental attitudes may be observed: The emphasis on collective working rather than privileging the individual personality of the artist. All the projects are signed Irwin and only for the paintings and smaller projects produced after 2004 it is known who of the members created it. The second important characteristic its working procedure, so-called the ‘retro-principle’, whereby works become a collage of quotations and allusions to various sources, such as past symbols, images and philosophical ideas. The group explained the paradoxical position of retroavantgardism in an official statement The Future is the seed of the past in 1987. Irwin’s art is complex and has a traumatic and provocative effect.

During the 1980s Irwin created a specific visual language and produced predominantly painterly projects using various materials and references. Starting in the 1990s, IRWIN's art practices have been characterised by parallels between aesthetics and institutional criticism, the creation of discussion platforms and international dialogue. The group has been concentrating on critical examination of the art history pointing out the artificiality of Western art historical structures that continue to exclude contemporary Eastern European art to this day. Irwin's projects actively and concretely intervene in social and historical activities and have redefined the status of art in Eastern Europe.

Projects

From the 1980s Irwin's most important projects are, for instance Red Districts (1987), a painting that commemorates history and work, art and totalitarianism, Was Ist Kunst (1984), a series on the ideology of art, Four Seasons (1988) etc.

Among the most important projects realised by Irwin during the 1990s there are Retroavantgarda (1994–2000), mapping specific artistic practice on the territories of ex-Yugoslavia, Transnacionala (1996), a journey across along the lines of colonization from west to east across of the United States, NSK Embassy Moscow (1992), Black Square on Red Square (1992), a guerilla action that took place on Moscow's Red Square, Kapital (1991), an exhibition in Clock Tower Gallery in New York, and the East Art Map.

East Art Map(EAM)

The project aims to critically (re)construct the history of contemporary art in Eastern Europe (from 1945 on). The project is based on the idea that the history is not given but has to be constructed and the fact that documentation of contemporary art scene in Eastern Europe has been very poor. In EAM artists are taken out of their national frameworks and presented in a unified scheme of Eastern European art scene. In collaboration with New Moment Irwin invited a group of eminent art critics, curators and artists from different ex-socialist Central, Eastern and South-Eastern countries to create the basic database. It was first published in a New Moment magazine in 2002, than a CD was made and, in 2004 EAM was put on-line as a truly participatory project open for contributions. Since Irwin does not seek to establish some ultimate truth the map is still being upgraded by public proposals. The website is part of the e-flux projects and includes instruction on how to participate. In 2006 a book East Art Map: Contemporary Art and Eastern Europe edited by Irwin was published by Afterall.

Exhibitions

Irwin has realised about 150 projects and solo exhibitions in Europe (most exhibitions held in Germany, Slovenia and Austria), Russia and America. Recently Irwin's solo exhibition Construction Of The Context was on disply in in Kumu Art Museum in Tallinn in September 2012, while Time for a New State was held in London, Pristine and Leipzig in 2012 and a year before in Moscow. The project started in Lagos where Irwin members found signs Time for a new state on advertising hoardings and decided to use it as a ready-made. Among other projects focused on the state there was also IRWIN–NSK Passport Office presented in MoMA Print Studio in New York in 2012, The Eye of the State, an exhibition curated by Avi Pitchon for the Israeli Center for Digital Art staged in cooperation with the Public Movement in 2010 and the first congress of NSK citizens which took place in Berlin in 2010. There it became clear that the NSK citizens are self-organised and can develope their country on their own, for example they started with a series of events Rendez-vous in Lyon, London, New York and Leipzig.

Another of Irwin's most recent projects Was ist Kunst Hugo Ball (2010) was presented in Cabaret Voltaire in Zurich and in Gregor Podnar Gallery in Berlin where Irwin's Monochromes were on display in 2008 as well.

Art collections

Irwin's work is included in 14 important art collections, such as the collection of Museum of Modern Art MoMA in New York, Museum Moderner Kunst Stiftung Ludwig MUMOK in Vienna , ESSL MUSEUM in Klosterneuburg, Kunsthalle zu Kiel in Kiel, Museum of Contemporary Art Zagreb in Zagreb, Museum of Contemporary Art Skopje in Skopje and Moderna galerija in Ljubljana.

Irwin received Rihard Jakopič Award in 2004.

International group exhibitions

Since it's beginnings Irwin has exhibited at several prestige international exhibitions, for instance After the Wall–Art and culture in post-Communist Europe in Moderna Museet in Stockholm in 1999, Aspect / Positions–50 Years of Art in Central Europe 1949-99 in Museum of Contemporary Art in Budapest, at the first Manifesta in Rotterdam in 1996 and at the Manifesta 09 in Genk where Red Districts were on display in 2012. Irwin participated at the 50th Venice Biennale in 2003, 9th Istanbul Biennial in 2005, at Eye on Europe in the Museum of Modern Art in New York in 2006 etc.

Public Movement Greets Irwin of  N.S.K.mov by digitalartlab on YouTube

The Eye of the State

During the last few years Irwin's work was included in over 20 group exhibitions per year, in 2012, for instance, Irwin participated at Collaborations & Interventions in CCA Andratx, Quadratic Equations in Kepes Institut in Budapest, Moving forward, counting backwards in Museo Universitario de Arte Contemporáneo - MUAC in Mexico City, Spirits Of Internationalism in Museum voor Hedendaagse Kunst in Antwerpen and many others.

In Ljubljana Irwin was part of U3 Triennial of Contemporary Slovene Arts in 1997, 2000 and 2010.

External links

Official websites

General references

On projects and artworks

@@ Line 17: / Line 17: @@
 {{Teaser|
 The internationally acclaimed [[Irwin]] group was established in Ljubljana in [[established::1983]] by 5 artists: [[Dušan Mandič]], [[Miran Mohar]], [[Andrej Savski]], [[Roman Uranjek]] and [[Borut Vogelnik]]. Along with the [[Laibach]] music group, the performance group Scipion Nasice Sisters Theatre (which later evolved into [[Noordung Cosmokinetic Cabinet]]) and the design section [[Novi kolektivizem (NK)]], the Irwin group is part of the [[NSK State|Neue Slowenische Kunst (NSK)]] movement.
-One of Irwin's main principles is building one’s own artistic position out of one’s particular circumstances. They believe that by being particular, art can become truly universal so they construct their own conditions.
-In the work of the group two fundamental attitudes may be observed: the first is the emphasis on collective working rather than privileging the individual personality of the artist; and the second is the NSK working procedure, so-called the ‘retro-principle’, whereby works become a collage of quotations and allusions to various sources, such as past symbols, images and philosophical ideas. The group explained the paradoxical position of retroavantgardism in an official statement ''The Future is the seed of the past'' in 1987. Irwin’s art is complex and has a traumatic and provocative effect.
 The name of the group Irwin comes from a reference to Marcel Duchamp (Rrose Sélavy) and was initially Rrose Irwin Sélavy but was soon shortened to R Irwin S.
 }}
+==Working procedure==
+One of Irwin's main principles is building one’s own artistic position out of one’s particular circumstances. They believe that by being particular, art can become truly universal so they construct their own conditions.
+In the work of the group two fundamental attitudes may be observed: The emphasis on collective working rather than privileging the individual personality of the artist. All the projects are signed Irwin and only for the paintings and smaller projects produced after 2004 it is known who of the members created it.
+The second important characteristic its working procedure, so-called the ‘retro-principle’, whereby works become a collage of quotations and allusions to various sources, such as past symbols, images and philosophical ideas. The group explained the paradoxical position of retroavantgardism in an official statement ''The Future is the seed of the past'' in 1987. Irwin’s art is complex and has a traumatic and provocative effect.
+During the 1980s Irwin created a specific visual language and produced predominantly painterly projects using various materials and references.
+Starting in the 1990s, IRWIN's art practices have been characterised by parallels between aesthetics and institutional criticism, the creation of discussion platforms and international dialogue. The group has been concentrating on critical examination of the art history pointing out the artificiality of Western art historical structures that continue to exclude contemporary Eastern European art to this day. Irwin's projects actively and concretely intervene in social and historical activities and have redefined the status of art in Eastern Europe.
 ==Projects==
-During the 1980s Irwin created a specific visual language and produced predominantly painterly projects using various materials and references, for example ''Red Districts'' (1987), ''Was Ist Kunst'' (1984), a series on the ideology of art, ''Four Seasons'' (1988) etc.
+From the 1980s Irwin's most important projects are, for instance ''Red Districts'' (1987), a painting that commemorates history and work, art and totalitarianism, ''Was Ist Kunst'' (1984), a series on the ideology of art, ''Four Seasons'' (1988) etc.
-Since the 1990s the group has been concentrating on critical examination of the art history pointing out the artificiality of Western art historical structures that continue to exclude contemporary Eastern European art to this day. Irwin's projects actively and concretely intervene in social and historical activities and have redefined the status of art in Eastern Europe.
-Among the most important projects realised by Irwin there are ''Retroavantgarda'' (1994&ndash;2000), mapping specific artistic practice on the territories of ex-Yugoslavia, ''Transnacionala'' (1996), a journey across along the lines of colonization from west to east across of the United States, ''NSK Embassy Moscow'' (1992), ''Black Square on Red Square'' (1992), a guerilla action that took place on Moscow's Red Square, ''Kapital'' (1991), an exhibition in  Clock Tower Gallery in New York,  and the ''East Art Map''.
+Among the most important projects realised by Irwin during the 1990s there are ''Retroavantgarda'' (1994&ndash;2000), mapping specific artistic practice on the territories of ex-Yugoslavia, ''Transnacionala'' (1996), a journey across along the lines of colonization from west to east across of the United States, ''NSK Embassy Moscow'' (1992), ''Black Square on Red Square'' (1992), a guerilla action that took place on Moscow's Red Square, ''Kapital'' (1991), an exhibition in  Clock Tower Gallery in New York,  and the ''East Art Map''.
 ===''East Art Map''(EAM)===
@@ Line 35: / Line 37: @@
 In collaboration with New Moment Irwin invited a group of eminent art critics, curators and artists from different ex-socialist Central, Eastern and South-Eastern countries to create the basic database. It was first published in a New Moment magazine in 2002, than a CD was made and, in 2004 EAM was put on-line as a truly participatory project open for contributions. Since Irwin does not seek to establish some ultimate truth the map is still being upgraded by public proposals. The website is part of the e-flux projects and includes instruction on how to participate. In 2006 a book ''East Art Map: Contemporary Art and Eastern Europe'' edited by Irwin was published by Afterall.
-==International exhibitions==
+==Exhibitions==
-Irwin has presented its work at about 150 solo exhibitions in Europe, Russia and America, and participated at several international exhibitions, for example, the First Manifesta in Rotterdam in 1996, the 50th Venice Biennale in 2003, the 9th Istanbul Biennial in 2005; ''Eye on Europe'' at the Museum of Modern Art in New York in 2006; ''Das Scharwze Quadrat. Hommage à Malewich'' at the Hamburg Kunsthalle in 2007).
+Irwin has realised about 150 projects and solo exhibitions in Europe (most exhibitions held in Germany, Slovenia and Austria), Russia and America. Recently Irwin's solo exhibition ''Construction Of The Context'' was on disply in in Kumu Art Museum in Tallinn in September 2012, while ''Time for a New State'' was held in London, Pristine and Leipzig in 2012 and a year before in Moscow. The project started in Lagos where Irwin members found signs Time for a new state on advertising hoardings and decided to use it as a ready-made. Among other projects focused on the state there was also ''IRWIN–NSK Passport Office'' presented in MoMA Print Studio in New York in 2012, ''The Eye of the State'', an exhibition curated by Avi Pitchon for the Israeli Center for Digital Art staged in cooperation with the Public Movement in 2010 and the first congress of NSK citizens which took place in Berlin in 2010. There it became clear that the NSK citizens are self-organised and can develope their country on their own, for example they started with a series of events ''Rendez-vous'' in Lyon, London, New York and Leipzig.
+Another of Irwin's most recent projects ''Was ist Kunst Hugo Ball'' (2010) was presented in Cabaret Voltaire in Zurich and in [[Gregor Podnar Gallery]] in Berlin where Irwin's ''Monochromes'' were on display in 2008 as well.
+===Art collections===
+Irwin's work is included in 14 important art collections, such as the collection of Museum of Modern Art MoMA in New York, Museum Moderner Kunst Stiftung Ludwig MUMOK in Vienna , ESSL MUSEUM in Klosterneuburg, Kunsthalle zu Kiel in Kiel, Museum of Contemporary Art Zagreb in Zagreb, Museum of Contemporary Art Skopje in Skopje and [[Moderna galerija / Museum of Modern Art, Ljubljana plus Museum of Contemporary Art Metelkova|Moderna galerija]] in Ljubljana.
-''IRWIN–NSK Passport Office'' was presented in MoMA Print Studio in New York in 2012 and the ''Red Districts'', a painting that commemorates history and work, art and totalitarianism, was on display at Manifesta 09 in Genk.
+Irwin received [[Rihard Jakopič Award]] in 2004.
+===International group exhibitions===
+Since it's beginnings Irwin has exhibited at several prestige international exhibitions, for instance ''After the Wall&ndash;Art and culture in post-Communist Europe'' in Moderna Museet in Stockholm in 1999, ''Aspect / Positions&ndash;50 Years of Art in Central Europe 1949-99'' in Museum of Contemporary Art in Budapest, at the first Manifesta in Rotterdam in 1996 and at the Manifesta 09 in Genk where ''Red Districts'' were on display in 2012. Irwin participated at the 50th Venice Biennale in 2003, 9th Istanbul Biennial in 2005, at ''Eye on Europe'' in the Museum of Modern Art in New York in 2006 etc.
+{{YouTube|3oAMCAP1LtQ}} ''The Eye of the State''
-In November 2007 the Irwin exhibition ''Monokromi'' ('Monochromes') was presented at the [[Gregor Podnar Gallery]] in Ljubljana.
+During the last few years Irwin's work was included in over 20 group exhibitions per year,  in 2012, for instance, Irwin participated at ''Collaborations & Interventions'' in CCA Andratx, ''Quadratic Equations'' in Kepes Institut in Budapest, ''Moving forward, counting backwards'' in Museo Universitario de Arte Contemporáneo - MUAC in Mexico City, ''Spirits Of Internationalism'' in Museum voor Hedendaagse Kunst in Antwerpen and many others.
-{{YouTube|3oAMCAP1LtQ}}
+In Ljubljana Irwin was part of [[U3 Triennial of Contemporary Slovene Arts]] in 1997, 2000 and 2010.
-''The Eye of the State'', an exhibition curated by Avi Pitchon for the Israeli Center for Digital Art was staged in cooperation with the Public Movement in 2010.
-One of Irwin's most recent projects ''Was ist Kunst Hugo Ball'' (2010) was presented in Cabaret Voltaire in Zurich and in [[Gregor Podnar Gallery]] in Berlin where Irwin's ''Monochromes'' were on display in 2008 as well.
-''Time for a New State'' took place in Moscow in 2011, Leipzig and London in 2012. It started in Lagos where Irwin members found signs Time for a new state on advertising hoardings.
-Irwin received [[Rihard Jakopič Award]] in 2004.
 ==See also==
+*[Laibach]
 *[[Novi kolektivizem (NK)]]
 *[[NSK State]]
@@ Line 65: / Line 71: @@
 *[http://www.theinfluencers.org/en/irwin-nsk/video/1 Irwin lecture at The Influencers Festival 2006]
 On projects and artworks
+*[http://nskstate.com/ NSK citizens' web page]
 *[http://www.youtube.com/watch?v=3oAMCAP1LtQ Public Movement Meets Irwin, project for Israeli Center for Digital Art, 2010 on youtube]
 *[http://www.youtube.com/watch?v=FKuHLzh1IdE IRWIN artwork at Kalmar Konstmuseum 2009 on youtube]

Difference between revisions of "Irwin"

Revision as of 23:27, 3 December 2012

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