Slovenian art historians present their texts in colloquium: »Slovenian Impressionists in München and Dachau: And What Did Kandinsky Have To Do With It?«, describing art colony at Dachau around year 1900. Event is accompanied with exhibition at the Gemäldegalerie Dachau.

The third edition of SloVision showcases how Slovenian cinema captures the spirit of the times: navigating between "Yugo-nostalgia" and the church, friendship and profit, helicopter parenting and disgruntled citizens, conspiracy theories and buddy movies.

The exhibition "Paths of Impressionism – Slovenian Modernism and Dachau" presents over forty exceptional loans from the National Gallery of Slovenia and other lenders, tracing the artistic evolution from late 19th-century realism to the more expressive currents of modernism. The exhibition underscores the significant role Slovenian artists played within a broader pan-European movement, bringing to light lesser-known masterpieces now poised for rediscovery.

The two-day event titled "Children of Socialism" offers an exploration of Slovenia's punk movement in the early 1980s, featuring curated readings of punk poetry, a discussion, film screenings, and live musical performances by S.O.R., GRUPA 92, BibliFan, Aktivna Propaganda, and Niet.

The award winning lecture-performance "Sex Education II: Fight", directed by Tjaša Črnigoj, revisits the struggle for reproductive rights in Yugoslavia.

The world premiere of the feature film "Ida Who Sang So Badly Even the Dead Rose Up and Joined Her in Song", directed by Ester Ivanič, is part of the festival’s Feature Film Competition programme. Several other Slovenian films are also featured at the festival, including "Stealing Land", "This Is a Robbery!", and "Whites Wash at Ninety".