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About · Contact · Help · Desk · ⚙ · 3,561 articles | Contents · A–Ž index |
23 Jul 2023
Italy Flambruzzo
22 Jul 2023
20 Jul 2023
9 Jul 2023
25 Jun 2023
Italy Mereto di Tomba
21 Jun 2023
Bulgaria Sofia National Palace of Culture,Singles Bar
20 Jun 2023
17 Jun 2023
12 May 2023
Italy Mestre Argo 16
11 May 2023
Italy Pisa Caracol
10 May 2023
Italy Avellino Cripta del Duomo
8 May 2023
Italy Naples Sala Assoli
22 Apr 2023
Czech Republic Brno Faun festival
10 Mar 2023
9 Mar 2023
8 Mar 2023
7 Mar 2023
6 Mar 2023
5 Mar 2023
28 Nov 2019
SONICA X IKLECTIK featuring a concert by Širom (Glitterbeat Records) and an exhibition by MoTA Museum of Transitory Art (Uršula Berlot, Nonument Group, supported by the Embassy of the Republic of Slovenia London,
at the IKLECTIK Festival
10 Sep 2019
13 Sep 2019
Italy Florence,Genoa,Parma,Perugia Postwar Cinema Club,Torto Night,T-Trane Record Store,Villa Romana
5 Sep 2019
7 Sep 2019
Sweden Gerlesborg,Gothenburg,Uddevalla Bohuslänsmuseum,Gerlesborgsskolan,Koloni/ÖGAT
3 Sep 2019
4 Sep 2019
Denmark Aarhus,Copenhagen Alice,Det Turkise Telt
14 Sep 2018
15 Sep 2018
6 Apr 2018
5 Apr 2018
4 Apr 2018
28 Sep 2017
A performance by Širom (Glitterbeat Records) with Raphael Roginski and Natalia Przybysz
at the Sacrum Profanum Festival
8 Sep 2017
21 Jul 2017
23 Jul 2017
A concert by Širom (Glitterbeat Records), organized in cooperation with the Embassy of the Republic of Slovenia Copenhagen,
at the Fanø Free Folk Festival
18 Jul 2017
26 Jul 2017
Germany Braunschweig,Hamburg,Hof,Munich,Wieden Das nexus,GUt gallery,Kunstkaufhaus,MS Stubnitz,Rationaltheater,Rio Raum
The intertwining of diverse musical approaches and tools, histories of sounds and unbridled musical imagination and craftsmanship is the expansive guiding principle of the Širom trio, whose members stem from the regions of Prekmurje, Tolminsko and Kras. More than a dozen instruments can be found in the repertoire of Iztok Koren, Samo Kutin and Ana Kravanja and at least as many given musical forms that can be perceived as an inspiration behind the character of this new ensemble. However, in their practice as well as experience they remain anchored in their creative process to an extent that allows them to avoid merely reflecting existing patterns. What this generates in an original, stylistically homogeneous form of expression that oscillates between a wide array of folk sounds and contemporary acoustic rock-style meditations. The end result is grounded yet still mystical minimalism. Širom's music is contemplative, but can get harder when necessary, it is closer to being band- than chamber-like, to being street as opposed to urban in nature. Each member of Širom also performs in a myriad of other bands and music projects, such as ŠKM banda, Hexenbrutal, Najoua, Samo Gromofon, and Horda grdih.
Širom, a mystical entity self-described as an imaginary folk act representing the rural underground, photographed by Uroš Abram, 2021
Širom’s musical expression is informed by a nexus of historical circumstances, local and global traditions and distinct personal sensibilities. While its members Samo Kutin and Ana Kravanja come from the western part of Slovenia (the former from the idyllic Alpine foothills of Tolminsko region and the latter from the Karst Plateau, known for its expansive underground cave systems), Iztok Koren is the son of the flatlands surrounding the Mura River in the northeasternmost part the country. The invisible forces of these breathtaking landscapes cannot be separated from the musicians’ inner landscapes, which ultimately take form in Širom’s esoteric soundscapes.
Like Vonnegut’s intergalactic time traveller Billy Pilgrim, Širom seem to be unstuck in time. Their imaginative pan-global music feels like a shortcut to astral travel, offering out-of-body experiences triggered by arcane sounds that make you revisit long-forgotten ancient rituals and traverse primaeval lands, all made up and fantastical, yet giving the impression of being based on some kind of tradition. Unsurprisingly, foreign journalists tend to think that they play a modernised version of Slovenian folk music, which could not be further from the truth. This is one of the reasons the band decided to adopt the genre tag imaginary folk (originally coined by Serge Moreux in the 1950s to refer to Bartók and Kodály’s creative approach to traditional Hungarian melodies). It’s folk music but it is not geographically determined. There is a connection with the Slovenian landscape, old folk tales and local mythologies.
The most outstanding characteristic of Širom are the diverse, exotic and obscure sound palettes and shiver-inducing timbres that make up their immersive soundscapes (hurdy-gurdy, banjo, tempura brač, ocarina, lyre, viola, balafon, ribab, mizmar etc.). Many of them come from unique homemade and prepared instruments (an acoustic resonator made from a spring and a frame drum) and found objects (bowls with rice).
Širom - The Liquified Throne of Simplicity (1000), album cover
Since their debut album I. (Klopotec/ZARŠ, 2016), they have been collaborating with the Slovenian academic painter Marko Jakše. His signature surrealistic illustrations, full of magical creatures, characters and landscapes, add another dimension to Širom’s music. The trio also puts a lot of emphasis on the track titles, which are constructed using a collective free-association writing technique. The albums that followed, Lahko sem glinena mesojedka (2017), Svet, ki speče konju cvet (2019), were both released on tak:til, the imprint of Glitterbeat Records. In 2019, they self-released a collaborative album with Japanese musician Yoshio Machida.
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