Širom
Rok Košir, Booking agent
Širom
From Culture.si
Contact
Past Events
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SONICA X IKLECTIK featuring a concert by Širom (Glitterbeat Records) and an exhibition by MoTA Museum of Transitory Art (Uršula Berlot, Nonument Group, supported by the Embassy of the Republic of Slovenia London,
at the IKLECTIK Festival
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Italy Florence,Genoa,Parma,Perugia Postwar Cinema Club,Torto Night,T-Trane Record Store,Villa Romana
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Sweden Gerlesborg,Gothenburg,Uddevalla Bohuslänsmuseum,Gerlesborgsskolan,Koloni/ÖGAT
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Denmark Aarhus,Copenhagen Alice,Det Turkise Telt
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A performance by Širom (Glitterbeat Records) with Raphael Roginski and Natalia Przybysz
at the Sacrum Profanum Festival
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A concert by Širom (Glitterbeat Records), organized in cooperation with the Embassy of the Republic of Slovenia Copenhagen,
at the Fanø Free Folk Festival
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Germany Braunschweig,Hamburg,Hof,Munich,Wieden Das nexus,GUt gallery,Kunstkaufhaus,MS Stubnitz,Rationaltheater,Rio Raum
Biography
The intertwining of diverse musical approaches and tools, histories of sounds and unbridled musical imagination and craftsmanship is the expansive guiding principle of the Širom trio, whose members stem from the regions of Prekmurje, Tolminsko and Kras. More than a dozen instruments can be found in the repertoire of Iztok Koren, Samo Kutin and Ana Kravanja and at least as many given musical forms that can be perceived as an inspiration behind the character of this new ensemble. However, in their practice as well as experience they remain anchored in their creative process to an extent that allows them to avoid merely reflecting existing patterns. What this generates in an original, stylistically homogeneous form of expression that oscillates between a wide array of folk sounds and contemporary acoustic rock-style meditations. The end result is grounded yet still mystical minimalism. Širom's music is contemplative, but can get harder when necessary, it is closer to being band- than chamber-like, to being street as opposed to urban in nature. Each member of Širom also performs in a myriad of other bands and music projects, such as ŠKM banda, Hexenbrutal, Najoua, Samo Gromofon, and Horda grdih.
Širom’s musical expression is informed by a nexus of historical circumstances, local and global traditions and distinct personal sensibilities. While its members Samo Kutin and Ana Kravanja come from the western part of Slovenia (the former from the idyllic Alpine foothills of Tolminsko region and the latter from the Karst Plateau, known for its expansive underground cave systems), Iztok Koren is the son of the flatlands surrounding the Mura River in the northeasternmost part the country. The invisible forces of these breathtaking landscapes cannot be separated from the musicians’ inner landscapes, which ultimately take form in Širom’s esoteric soundscapes.
Like Vonnegut’s intergalactic time traveller Billy Pilgrim, Širom seem to be unstuck in time. Their imaginative pan-global music feels like a shortcut to astral travel, offering out-of-body experiences triggered by arcane sounds that make you revisit long-forgotten ancient rituals and traverse primaeval lands, all made up and fantastical, yet giving the impression of being based on some kind of tradition. Unsurprisingly, foreign journalists tend to think that they play a modernised version of Slovenian folk music, which could not be further from the truth. This is one of the reasons the band decided to adopt the genre tag imaginary folk (originally coined by Serge Moreux in the 1950s to refer to Bartók and Kodály’s creative approach to traditional Hungarian melodies). It’s folk music but it is not geographically determined. There is a connection with the Slovenian landscape, old folk tales and local mythologies.
The most outstanding characteristic of Širom are the diverse, exotic and obscure sound palettes and shiver-inducing timbres that make up their immersive soundscapes (hurdy-gurdy, banjo, tempura brač, ocarina, lyre, viola, balafon, ribab, mizmar etc.). Many of them come from unique homemade and prepared instruments (an acoustic resonator made from a spring and a frame drum) and found objects (bowls with rice).
Since their debut album I. (Klopotec/ZARŠ, 2016), they have been collaborating with the Slovenian academic painter Marko Jakše. His signature surrealistic illustrations, full of magical creatures, characters and landscapes, add another dimension to Širom’s music. The trio also puts a lot of emphasis on the track titles, which are constructed using a collective free-association writing technique. The albums that followed, Lahko sem glinena mesojedka (2017), Svet, ki speče konju cvet (2019), were both released on tak:til, the imprint of Glitterbeat Records. In 2019, they self-released a collaborative album with Japanese musician Yoshio Machida.
See also
External links
- Širom interview for The Guardian
- [1] Širom interview for The Quietus]
- Širom: Low Probability of a Hug / Brez velike verjetnosti objema (Official Music Video)
- Širom - Vaško podzemlje / Rural Underground (Documentary Film)
- Širom - A Take Away Show in Slovenia
Gallery
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