Difference between revisions of "Depot:Izzven Jazz Festival, Maribor"

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{{Article
 
{{Article
| status      = INFOBOX TOPROOFREAD NIFERTIK!
+
| status      = DEPO
 
| maintainer  = Anže Zorman
 
| maintainer  = Anže Zorman
 
}}
 
}}
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| fax                = 386 (0) 2 229 4055
 
| fax                = 386 (0) 2 229 4055
 
| email              = jazz@nd-mb.si
 
| email              = jazz@nd-mb.si
| website            = http://www.izzven.si
+
| website            = http://www.nd-mb.si/
 
| organised by        = Narodni dom Maribor
 
| organised by        = Narodni dom Maribor
| dates and duration  = October, November
+
| frequency          = annual
 +
| dates and duration  = November, 3 days
 +
| duration weeks      = 46 (2012)
 
| contacts = {{Contact
 
| contacts = {{Contact
| name                =  
+
| name                = Boris Črnič
| role                =  
+
| role                = Public Relations
| email              =  
+
| telephone          = 386 (0) 2 229 4015, 386(0) 41 792054 (mobile)
 +
| email              = boris.crnic@nd-mb.si
 
}}
 
}}
 
}}
 
}}
  
 
{{Teaser|
 
{{Teaser|
The Izzven ('Sounding Off') international jazz festival was launched in [[established::2000]] by music connoisseur and organiser [[David Braun]]. Till 2007 the annual programme presented carefully-selected performances by leading contemporary music practitioners, ranging from new jazz and freely improvised music to intertwinings with the margins of popular, rock and electronic music, multimedia practices and the like. In 2011 the festival was, still led by Braun, resurrected under the management of the [[Narodni dom Maribor]].  
+
The last edition of the festival was held in 2012. Now, the festival is being continued as a concert cycle called Jazz v Narodnem domu.
 +
 
 +
== Archival article ==
 +
 
 +
The [[Izzven Jazz Festival, Maribor|Izzven]] ('Sounding Off') international jazz festival was launched in [[established::2000]] by music connoisseur and organiser [[David Braun]]. Till 2007 the annual programme presented carefully-selected performances by leading contemporary music practitioners, ranging from new jazz and freely improvised music to intertwinings with the margins of popular, rock and electronic music, multimedia practices and the like. In 2011 the festival, still led by Braun, was resurrected under the management of the [[Narodni dom Maribor]].  
 
}}
 
}}
  
 
==Brief history and programme==
 
==Brief history and programme==
  
During the early years of the festival jazz events were organised at numerous places in Maribor (eg [[Satchmo Jazz Club, Maribor|Satchmo Jazz Club]]). In 2004 all events have been moved to the building of [[Narodni dom Maribor]] and have only recently returned to the club environment of Satchmo.
+
During the early years of the festival, jazz events were organised at numerous places in Maribor (for example, at [[Satchmo Jazz Club, Maribor|Satchmo Jazz Club]]). In 2004 all events were moved to the premises of [[Narodni dom Maribor]] and have only recently returned to the club environment of Satchmo.
  
Since 2000 the festival has included also documentary films and occasional workshops, jam sessions and exhibitions (eg Searching For the Sound-Off, an exhibition of Slovene music photography curated by well-known Slovene jazz photographer Žiga Koritnik).
+
Since its beginnings the festival has also included documentary films and occasional workshops, jam sessions and exhibitions (for example, ''Searching for the Sound-Off'', an exhibition of Slovene music photography curated by well-known Slovene jazz photographer [[Žiga Koritnik]]).
  
The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb etc). The festival has been supported by the [[Ministry of Culture]] and [[Maribor Urban Municipality]] as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as [[British Council Slovenia]], Pro Helvetia, [[Goethe-Institut Ljubljana]] and other occasional sponsors.
+
The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb, etc). The festival has been supported by the [[Ministry of Culture]] and the [[Municipality of Maribor]] as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as [[British Council Slovenia]], Pro Helvetia, [[Goethe-Institut Ljubljana]], and other occasional sponsors.
  
Till now, the Izzven Festival hosted a varied pallet of performers from at least 5 continents. Alongside Afro-American jazz traditions (with a special eye for fusion tinged jazz) the festival focuses on European jazz developments and also on quality world-music productions. The programme (among others) presented Little Axe, The Vandermark 5, The Ruins, Joe McPhee trio, Peter Broetzmann and Nels Clin, Hamid Drake and Assif Tsahar, Youngblood Brass Band, the avant hip hop musician Daelek, Koch-Schütz-Studer with Hardcore Chambermusic, Joey Baron, Kammerflimmer kollektief, Sex Mob, Vijay Iyer, Ginger Baker, Arto Lindsay, Doug Wimbish & Will Calhoun, Pangelis Karayorgis Trio, Jon Balke and Slovene artists [[Bratko Bibič & The Madleys]], [[Lolita]], [[Melodrom]], [[Samo Šalamon New Quartet]] and [[Jure Pukl]].  
+
Till now, the Izzven Festival has hosted a varied palette of performers from at least 5 continents. Alongside Afro-American jazz traditions (with a special eye for fusion tinged jazz) the festival focuses on European jazz developments and also on quality world-music productions. The programme (among others) presented Little Axe, The Vandermark 5, The Ruins, Joe McPhee trio, Peter Broetzmann, Nels Cline, Hamid Drake and Assif Tsahar, Doug Wimbish & Will Calhoun, Youngblood Brass Band, the avant hip-hop musician Daelek, Koch-Schütz-Studer with Hardcore Chambermusic, Joey Baron, Kammerflimmer kollektief, Sex Mob, Vijay Iyer, Ginger Baker, Arto Lindsay, Jon Balke and Slovene artists [[Bratko Bibič & The Madleys]], [[Lolita]], [[Melodrom]], [[Samo Šalamon New Quartet]], and [[Jure Pukl]].  
  
  
===Concept===
+
==Concept==
  
Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (only four musicians in the history of jazz have ever received it):
+
Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (until now received by only four musicians in the history of jazz):
  
'The IZZVEN Festival represents the direction I'd like to see music festivals take in our time. Through integrating various "genres" and putting music that uses different methods and materials side by side (instead of only programming music from a certain "category"), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During it's ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders.'
+
"The Izzven Festival represents the direction I'd like to see music festivals take in our time. Through integrating various 'genres' and putting music that uses different methods and materials side by side (instead of only programming music from a certain 'category'), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During its ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders."
  
 
==See also==
 
==See also==
Line 47: Line 54:
  
 
== External links ==
 
== External links ==
*[http://www.izzven.si Izzven Jazz Festival website] (in Slovenian)
+
*[http://www.nd-mb.si/ Narodni dom website]
  
 
[[Category:Festivals]]
 
[[Category:Festivals]]
[[Category:Festivals in November]]
 
 
[[Category:Music festivals]]
 
[[Category:Music festivals]]
[[Category:Music]]
 

Latest revision as of 23:15, 8 May 2017




Contact

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Festival Izzven, Maribor
Kneza Koclja 9, SI-2000 Maribor
Phone386 (0) 2 229 4000
Organised byNarodni dom Maribor
Frequencyannual




The last edition of the festival was held in 2012. Now, the festival is being continued as a concert cycle called Jazz v Narodnem domu.

Archival article

The Izzven ('Sounding Off') international jazz festival was launched in 2000 by music connoisseur and organiser David Braun. Till 2007 the annual programme presented carefully-selected performances by leading contemporary music practitioners, ranging from new jazz and freely improvised music to intertwinings with the margins of popular, rock and electronic music, multimedia practices and the like. In 2011 the festival, still led by Braun, was resurrected under the management of the Narodni dom Maribor.


Brief history and programme

During the early years of the festival, jazz events were organised at numerous places in Maribor (for example, at Satchmo Jazz Club). In 2004 all events were moved to the premises of Narodni dom Maribor and have only recently returned to the club environment of Satchmo.

Since its beginnings the festival has also included documentary films and occasional workshops, jam sessions and exhibitions (for example, Searching for the Sound-Off, an exhibition of Slovene music photography curated by well-known Slovene jazz photographer Žiga Koritnik).

The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb, etc). The festival has been supported by the Ministry of Culture and the Municipality of Maribor as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as British Council Slovenia, Pro Helvetia, Goethe-Institut Ljubljana, and other occasional sponsors.

Till now, the Izzven Festival has hosted a varied palette of performers from at least 5 continents. Alongside Afro-American jazz traditions (with a special eye for fusion tinged jazz) the festival focuses on European jazz developments and also on quality world-music productions. The programme (among others) presented Little Axe, The Vandermark 5, The Ruins, Joe McPhee trio, Peter Broetzmann, Nels Cline, Hamid Drake and Assif Tsahar, Doug Wimbish & Will Calhoun, Youngblood Brass Band, the avant hip-hop musician Daelek, Koch-Schütz-Studer with Hardcore Chambermusic, Joey Baron, Kammerflimmer kollektief, Sex Mob, Vijay Iyer, Ginger Baker, Arto Lindsay, Jon Balke and Slovene artists Bratko Bibič & The Madleys, Lolita, Melodrom, Samo Šalamon New Quartet, and Jure Pukl.


Concept

Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (until now received by only four musicians in the history of jazz):

"The Izzven Festival represents the direction I'd like to see music festivals take in our time. Through integrating various 'genres' and putting music that uses different methods and materials side by side (instead of only programming music from a certain 'category'), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During its ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders."

See also

External links