National Gallery of Slovenia

The National Gallery of Slovenia (Narodna galerija) is the main art museum in Slovenia. Its area of activity lies dominantely on the Slovene art from the late medieval period (i.e. from the 13th) to the early twentieth century. The permanent collection represents the core of the activity of the National Gallery of Slovenia; since 1997, when the new wing of the institution was built, is the collection devided in two parts: the first presents Slovenian art, the second one the European paintings. The Gallery prepares regularly occasional thematic and monograph exhibitions and events in order to present certain themes from Slovene art and to near selected phenomena of the art history to the public. The exhibition The Impressionists and their Time 1890–1930 on the view from the April 2008 and February 2009, was the great success; it annotates 112.000 visitors, what counts in Slovenia to the records of this kind. The Gallery is appriciated on its pedagogical work. For the public National Gallery of Slovenia Library is opened. The borrowing of the works of art and the photo material owned by the National Gallery of Slovenia follows the international standards. There exists the possibility to hire the gallery space, too.

History

The National Gallery of Slovenia was founded in 1918 as the National Gallery Society with the aim of establishing a museum of Slovene fine art. In a relatively short time it succeeded in bringing together works from both public and private collections, including works by Slovene artists purchased by the City of Ljubljana and works belonging to the Society for Christian Art; it also began to systematically purchase other works of art.

The National Gallery was originally housed in the Kresija building, where a permanent exhibition was opened to the public in 1920. An important acquisition was 90 paintings from the Strahl Collection. In the early 1930s the gallery was also allocated casts of classical sculptures and works belonging to the National Museum of Slovenia. Then in 1933, after extensive renovation, the National Gallery opened its Narodni dom building, where it remains to this day. After the foundation of the Museum of Modern Art Ljubljana in 1947, many of the National Gallery's 20th-century art works were transferred to the new museum.

Collections

From its inception the National Gallery has systematically and continuously collected Slovene art in order to provide a comprehensive survey of artistic development in Slovenia. It also collects some works by artists from other European nations, presenting them in different arrangements. However, the gallery had to wait for larger premises – achieved by the construction of a new wing in the early 1990s – before it could present a permanent collection of European Old Masters. This collection is now displayed in the upper rooms of the new wing while on the ground floor there is an exhibition area for temporary exhibitions, educational activities and a National Gallery of Slovenia Library.

Art in Slovenia

The Slovene art collection represents the core of the activity of the National Gallery of Slovenia. The medieval collection consists mainly of Gothic sculpture from the late Romanesque to the early Renaissance periods, plus some original fragments of Gothic frescoes. The survey continues with 16th and 17th century art, in which Baroque paintings are particularly well represented. Representative works by masters such as Anton Cebej, Valentin Metzinger, Franc Jelovšek and Fortunat Bergant are presented in the main hall. The survey of the Baroque period is complemented by some selected sculptures, most of them made by artists from Štajerska. The Classicism section is best represented by the monumental paintings of France Kavčič. The Biedermeier and Romantic period section includes portraits by Jožef Tominc and Michael Stroj and landscapes by Marko Pernhart and Anton Karinger. The survey of Realism focuses on the work of the Šubic brothers, Janez and Jurij, on important educator Anton Ažbe, and on Jožef Petkovšek. The presentation of the period is enhanced by popular paintings created by Ivana Kobilca. It is followed by the generation which introduced modernist creative trends to Slovene painting. Four painters (Rihard Jakopič, Ivan Grohar, Matija Jama and Matej Sternen), traditionally conceived as the Slovene Impressionists, combined different contemporary art trends, from impressionism to divisionism, to create the foundations for the development of modern art in Slovenia. The survey concludes with a generation of sculptors who are an important counterpart to the painters of the modernist period. Works by Alojzij Gangl and France Berneker are especially prominent.

European Paintings

Opened in 1997, the permanent collection of over 150 European paintings dating from the late 14th to the 20th century is the fruit of research work carried out by Dr. Ksenija Rozman in co-operation with renowned Italian expert Professor Federico Zeri. The collection is divided into individual schools: Italian (the largest group), Spanish, French, Flemish and Dutch, German and Central European schools, and painters of the 19th and 20th centuries. Among the late Gothic works, the triptych (1511) of the Knillenberg family by Marx Reichlich is of particular note, as are the paintings of Luca Giordano among the Italian Baroque works, and the works of French portraitist Elisabeth Vigee-Lebrun among the portrait collection. Prominent among the German painters are Paul Troger and Martin Johann Schmidt (Kremser-Schmidt), while the modern paintings include a remarkable still-life by Aleksej von Jawlenski and a landscape by Giorgio Morandi.

Exhibition programme

The programme of the recent years count more than dozen thematicly and epoche diverse exhibitions and events per year. Majority of them are prepared by the house curators, some acquired as the exchange with international institutions like Polish National Museum who have been in the late spring 2009 participated the exhibition Polish Painting circa 1900, Impressionism and Symbolism. It was the logic continuation of the large scale exhibition The Impressionists and their Time 1890–1930 beeing on the vew almost for the whole year (April 2008 - February 2009) with the reason of marking the Slovenian Presidency of the European Union and the 90th anniversary of the National Gallery of Slovenia. The exhibition featured historical time with works of four slovene master Impressionists – Rihard Jakopič (70 works), Ivan Grohar, Matija Jama (exhibited 26 paintings from each) and Matej Sternen (more than 26 works)– and many famous fellow Impressionist artists, like Anton Ažbe, Ivana Kobilca, Ferdo Vesel, Ivan Vavpotič and many others. Additionaly the show foreshadow the sculptural, photographic and architectural achievements of the time, when, after the earthquake, Ljubljana received a blooming Secessionist appearance and quite several significant monuments sprang up. The resounding of the succesful exhibition was denote by the paralel exhibition of Youthful Impressions to pass on the legacy of the great Slovene Impressionists to those youngest and growing up. All together visited huge show.1.800 pre-school children, 8.700 primary school children and 12.600 high school children as the pegagocical activity of the institution played important mission.

On the very end of 2009 a facsimile edition of the Iconotheca Valvasoriana in seventeen volumes published by the Janez Vajkard Valvasor Foundation at the Slovene Academy of Sciences and Arts (SAZU) was donated to Narodna galerija by The Ministry of Culture of the Republic of Slovenia. Prints, drawings and watercolours of various formats, which Valvasor bought on his travels across Europe between 1659 and 1672, and had bound into eighteen books (today one lost), were arranged by author according to technique, artists’ ethnic origin and themes: depictions of the Old and New Testament, images of saints, antique motifs and diverse secular genre scenes, portraits, coats-of-arms, vedute, maps, as well as the animal and plant kingdom. Among them are works by Albrecht Dürer, Lucas Cranach, Martin Schongauer, Jacques Callot, as well as other European masters of the 16th and 17th century. The facsimile edition of the Iconotheca Valvasoriana is an important acquisition of the library fund of the National Gallery of Slovenia.

With partners like Réseau Art Nouveau Network Narodna galerija worked within the framework of the EU program Culture 2000 on the multimedia presentation Art nouveau & Society - the short and concise presentation of the social and economic situation in Europe at the turn of the 19th and the beginning of the 20th century, which created favourable conditions for the development of the pan European movement for the modernisation of art – art nouveau.

Narodna galerija gives also the venue to The Biennial of Slovene Visual Communication and preparing monographic exhibition of Slovene and international authors: in 2008 the exhibition What I Have Seen 1968–2008 of Kostja Gatnik, central to Slovene graphic design and illustration; in sommer 2009 the National Gallery of Slovenia featured together with the TR3 Gallery the exhibition of 117 photographs by American artist Robert Mapplethorpe, one of the most important conceptual photographers of his generation. All exhibitions and events are well documented and presented on the Gallery Website [1] - in English language the documentation comprehend events since the middle of 2006.

The Robba fountain

Since September 2008 in the entrance hall of the National Gallery of Slovenia the restored original monument of national cultural heritage – the Robba Fountain is on the view. After the original fountain was removed from in front of Ljubljana’s town hall and replaced by a copy, it now – refurbished and restored – resides in the space which was primarily constructed for this purpose.

National Gallery of Slovenia

Contents

History

Collections

Exhibition programme

The Robba fountain

See also

External links

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