Difference between revisions of "Depot:Izzven Jazz Festival, Maribor"

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{{Article
 
{{Article
| status      = ROBOT WRITING INFOBOX TOPROOFREAD NIFERTIK!
+
| status      = DEPO
| maintainer  = Ičo Vidmar
+
| maintainer  = Anže Zorman
 
}}
 
}}
 
{{Infobox
 
{{Infobox
 
| name                = Izzven Jazz Festival, Maribor
 
| name                = Izzven Jazz Festival, Maribor
 
| localname          = Festival Izzven, Maribor
 
| localname          = Festival Izzven, Maribor
| street address      = KIBLA Multimedijski center, Narodni dom, Kulturno prireditveni center, Kneza Koclja 9, SI-2000 Maribor, Slovenia
+
| street             = Kneza Koclja 9
| telephone          = 386 (0) 2 229 4011-2, 386 (0) 40 744122
+
| town                = SI-2000 Maribor
| fax                = 386 (0) 2 229 4020
+
| telephone          = 386 (0) 2 229 4000
| email              = skritenote@kibla.org
+
| fax                = 386 (0) 2 229 4055
| website            = http://www.izzven.si
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| email              = jazz@nd-mb.si
| proprietor          = Narodni dom Maribor
+
| website            = http://www.nd-mb.si/
 +
| organised by        = Narodni dom Maribor
 +
| frequency          = annual
 +
| dates and duration  = November, 3 days
 +
| duration weeks      = 46 (2012)
 
| contacts = {{Contact
 
| contacts = {{Contact
| name                = David Braun
+
| name                = Boris Črnič
| role                = Programme Director
+
| role                = Public Relations
| email              = braun@nd-mb.si
+
| telephone          = 386 (0) 2 229 4015, 386(0) 41 792054 (mobile)
 +
| email              = boris.crnic@nd-mb.si
 
}}
 
}}
 
}}
 
}}
  
 
{{Teaser|
 
{{Teaser|
The Izzven ('Sounding Off') international jazz festival was launched in 2000. The annual programme presents carefully-selected performances by leading contemporary music practitioners, ranging from traditional and contemporary jazz to intertwinings with popular music, rock, electronic music, multimedia practices and the like. The programme selection is based on recent activities by participating musicians (new records, recent reviews, international festival presence etc).
+
The last edition of the festival was held in 2012. Now, the festival is being continued as a concert cycle called Jazz v Narodnem domu.
 +
 
 +
== Archival article ==
 +
 
 +
The [[Izzven Jazz Festival, Maribor|Izzven]] ('Sounding Off') international jazz festival was launched in [[established::2000]] by music connoisseur and organiser [[David Braun]]. Till 2007 the annual programme presented carefully-selected performances by leading contemporary music practitioners, ranging from new jazz and freely improvised music to intertwinings with the margins of popular, rock and electronic music, multimedia practices and the like. In 2011 the festival, still led by Braun, was resurrected under the management of the [[Narodni dom Maribor]].  
 
}}
 
}}
  
During the early years of the festival jazz events were organised at numerous places in Maribor (eg [[Satchmo Jazz Club]]), however since 2004 all events have been moved to the building of [[Narodni dom Maribor]].
+
==Brief history and programme==
 +
 
 +
During the early years of the festival, jazz events were organised at numerous places in Maribor (for example, at [[Satchmo Jazz Club, Maribor|Satchmo Jazz Club]]). In 2004 all events were moved to the premises of [[Narodni dom Maribor]] and have only recently returned to the club environment of Satchmo.
 +
 
 +
Since its beginnings the festival has also included documentary films and occasional workshops, jam sessions and exhibitions (for example, ''Searching for the Sound-Off'', an exhibition of Slovene music photography curated by well-known Slovene jazz photographer [[Žiga Koritnik]]).
 +
 
 +
The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb, etc). The festival has been supported by the [[Ministry of Culture]] and the [[Municipality of Maribor]] as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as [[British Council Slovenia]], Pro Helvetia, [[Goethe-Institut Ljubljana]], and other occasional sponsors.
 +
 
 +
Till now, the Izzven Festival has hosted a varied palette of performers from at least 5 continents. Alongside Afro-American jazz traditions (with a special eye for fusion tinged jazz) the festival focuses on European jazz developments and also on quality world-music productions. The programme (among others) presented Little Axe, The Vandermark 5, The Ruins, Joe McPhee trio, Peter Broetzmann, Nels Cline, Hamid Drake and Assif Tsahar, Doug Wimbish & Will Calhoun, Youngblood Brass Band, the avant hip-hop musician Daelek, Koch-Schütz-Studer with Hardcore Chambermusic, Joey Baron, Kammerflimmer kollektief, Sex Mob, Vijay Iyer, Ginger Baker, Arto Lindsay, Jon Balke and Slovene artists [[Bratko Bibič & The Madleys]], [[Lolita]], [[Melodrom]], [[Samo Šalamon New Quartet]], and [[Jure Pukl]].  
 +
 
  
Since 2000 the festival has included also documentary films and occasional workshops, jam sessions and exhibitions (eg Searching For the Sound-Off, an exhibition of Slovene music photography curated by well-known Slovene jazz photographer Žiga Koritnik).
+
==Concept==
  
The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb etc). The festival has been supported by the [[Ministry of Culture]] and [[Maribor Urban Municipality]] as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as [[British Council Slovenia]], Pro Helvetia, [[Goethe-Institut Ljubljana]] and other occasional sponsors.
+
Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (until now received by only four musicians in the history of jazz):
  
In 2004 the Izzven Festival hosted around 40 performers from 14 countries. Alongside Afro-American jazz traditions the festival focuses on European jazz developments, with performers coming from the London, Berlin and Vienna jazz festivals. Thus in 2004 the programme presented Satoko Fujii, Screaming Headless Torsos, Peter Broetzmann and Nels Clin, Hamid Drake and Assif Tsahar, Wilbert de Joode, the avant hip hop musician Daelek, Wien 3, The Clogs, Kammerflimmer kollektief, Arto Lindsay, Sisteme D, Pangelis Karayorgis Trio, Jon Balke and Slovene artists Bratko Bibič, The Madleys, Lolita and Jure Pukl. The programme in 2005 included Ernst Glerum, Koch-Schütz-Studer with Hardcore Chambermusic, Headfake freat, Doug Wimbish & Will Calhoun, Daniel Karlsson's Pan Pan, Matt Darriau's Paradox Trio, Belgradeyard Soundsystem, Samo Šalamon New Quartet, Frank Gratkowski Double Quartet and Joe McPhee trio.
+
"The Izzven Festival represents the direction I'd like to see music festivals take in our time. Through integrating various 'genres' and putting music that uses different methods and materials side by side (instead of only programming music from a certain 'category'), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During its ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders."
  
Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (only four musicians in the history of jazz have ever received it):
+
==See also==
 +
* [[Narodni dom Maribor]]
 +
* [[Satchmo Jazz Club, Maribor]]
  
'The IZZVEN Festival represents the direction I'd like to see music festivals take in our time. Through integrating various "genres" and putting music that uses different methods and materials side by side (instead of only programming music from a certain "category"), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During it's ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders.'
+
== External links ==
 +
*[http://www.nd-mb.si/ Narodni dom website]
  
 
[[Category:Festivals]]
 
[[Category:Festivals]]
[[Category:Theatre festivals]]
+
[[Category:Music festivals]]

Latest revision as of 00:15, 9 May 2017




Contact

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Festival Izzven, Maribor
Kneza Koclja 9, SI-2000 Maribor
Phone386 (0) 2 229 4000
Organised byNarodni dom Maribor
Boris Črnič, Public Relations



Phone386 (0) 2 229 4015, 386(0) 41 792054 (mobile)
Frequencyannual




The last edition of the festival was held in 2012. Now, the festival is being continued as a concert cycle called Jazz v Narodnem domu.

Archival article

The Izzven ('Sounding Off') international jazz festival was launched in 2000 by music connoisseur and organiser David Braun. Till 2007 the annual programme presented carefully-selected performances by leading contemporary music practitioners, ranging from new jazz and freely improvised music to intertwinings with the margins of popular, rock and electronic music, multimedia practices and the like. In 2011 the festival, still led by Braun, was resurrected under the management of the Narodni dom Maribor.


Brief history and programme

During the early years of the festival, jazz events were organised at numerous places in Maribor (for example, at Satchmo Jazz Club). In 2004 all events were moved to the premises of Narodni dom Maribor and have only recently returned to the club environment of Satchmo.

Since its beginnings the festival has also included documentary films and occasional workshops, jam sessions and exhibitions (for example, Searching for the Sound-Off, an exhibition of Slovene music photography curated by well-known Slovene jazz photographer Žiga Koritnik).

The festival programme attracts both local audiences and also specialised audiences from all parts of Slovenia and neighbouring cities (Graz, Zagreb, etc). The festival has been supported by the Ministry of Culture and the Municipality of Maribor as well as by several embassies (Germany, Canada, Austria, the Netherlands, Sweden, France, the USA and Australia) and international agencies and foundations such as British Council Slovenia, Pro Helvetia, Goethe-Institut Ljubljana, and other occasional sponsors.

Till now, the Izzven Festival has hosted a varied palette of performers from at least 5 continents. Alongside Afro-American jazz traditions (with a special eye for fusion tinged jazz) the festival focuses on European jazz developments and also on quality world-music productions. The programme (among others) presented Little Axe, The Vandermark 5, The Ruins, Joe McPhee trio, Peter Broetzmann, Nels Cline, Hamid Drake and Assif Tsahar, Doug Wimbish & Will Calhoun, Youngblood Brass Band, the avant hip-hop musician Daelek, Koch-Schütz-Studer with Hardcore Chambermusic, Joey Baron, Kammerflimmer kollektief, Sex Mob, Vijay Iyer, Ginger Baker, Arto Lindsay, Jon Balke and Slovene artists Bratko Bibič & The Madleys, Lolita, Melodrom, Samo Šalamon New Quartet, and Jure Pukl.


Concept

Perhaps the festival concept is best described by Ken Vandermark, Chicago's best-known saxophone player and arguably one of the best saxophonists in the world, who was the youngest recipient of the highly-acclaimed McArthur Genius Award (until now received by only four musicians in the history of jazz):

"The Izzven Festival represents the direction I'd like to see music festivals take in our time. Through integrating various 'genres' and putting music that uses different methods and materials side by side (instead of only programming music from a certain 'category'), this festival gives the audience an opportunity to make its own connections between what it hears. Based on my experiences, all good music is tied together, it crosses cultural and stylistic boundaries, and I believe it's time for music to be experienced this way in performance. During its ongoing history, this is what the Izzven Festival has done. There are few music festivals like it in the world, and it indicates a better way for music to be presented and experienced: without borders."

See also

External links