Museum of Modern and Contemporary Art Koroška
|Koroška galerija likovnih umetnosti|
|Glavni trg 24, SI-2380 Slovenj Gradec|
|Phone||386 (0) 2 882 2131|
|Fax||386 (0) 2 882 2130|
|Founded by||Municipality of Slovenj Gradec|
|Andreja Hribernik, Director|
|Phone||386 (0) 2 620 3651|
|Maša Špiler, Curator and Public Relations|
|Phone||386 (0) 2 620 3657|
- 13 June 2017
A presentation of the The Second Explosion - Slovene Art of the 1990s research project and book launch by artist and curator P.A.R.A.S.I.T.E. Institute, Koroška Gallery of Fine Arts and the educational program for young curators INCUBATOR, at in ,
programme and photographer , coorganised by the
- 8 December to 9 December 2016
Creative Europe Desk Slovenia (Motovila Institute) and (Koroška Gallery of Fine Arts) at the Creative Georgia Forum at in ,
programme of the
- 25 October to 1 December 2013
Transfer > Slowenien, a joint exhibition organised in the framework of an artists-in-residence exchange programme between Slovenia and Upper Bavaria also featuring works by Koroška Gallery of Fine Arts), in ,
programme , , and (
- 19 September to 13 October 2013
The joint exhibition Augenräume - contemporary art from the Koroška region - by Koroška Gallery of Fine Arts), at in ,
programme , , and , and curated by (
The Koroška Gallery of Fine Arts (KGLU) started under the initiative of local academic circles with painter and pedagogueat its forefront. Through his ambitious programme the gallery invited fine arts critics to co-operate as selectors, which in the 1960s was by no means an established practice in Slovene galleries.
The institution was established on endeavours similar to Arnold Bode's idea for documenta in Kassel in 1955 – to create a fine arts centre out of a rural town like Slovenj Gradec. The very first exhibition, Swedisch Kitchen, was dedicated to modern industrial design and organised already in 1954. The gallery was officially established in 1957 having its own exhibition space in the old town hall on Glavni trg. In 1966 the edifice where the gallery operates and exhibits still today was built. In the same year the gallery's activities received the honorary patronage of the United Nations (received also in 1975, 1979, 1985, and 1991).
The ambition to bring Slovenj Gradec, a small town near the Slovene-Austrian border, to the international map of art as well as to connect Slovene and international artists continued effectively under the guidance of, who paid much attention to engaged art. In 2008 became director and offered space to the regional artists with the Small Gallery of Koroška Gallery of Fine Arts (opened in 2009). With , a new director since , the programme further expanded into international field.
The museum's rich collection focuses on regional authors, but also includes several donations, bequests, and purchases of international authors. Parts of the collection are on view temporarily, some works also appear in various exhibitions.
The collection is divided into several segments, some dedicated to the most important regional artists. Božidar Jakac Art Museum, Kostanjevica na Krki which holds Borčić's graphic cabinet, the central institution to study the works by this vital experimentator.(1928–1998) matured as an artist while working in a hospital pathology department. His 43 paintings and drawings are best defined by the term "dark modernism" and together with documentary material on the artist's life, reveal Tisnikar's world, examining his iconographic theme of death. The collection Hommage to Tisnikar also includes works by other Slovene artists with a similar sensibility: , . In 2003 (b. 1926) donated 40 paintings from 1986 to 2003, which have made the Koroška institution, together with the
The international collection includes works by Ossip Zadkine, Victor Vasarely, Maria Bonomi, Toon Wegner, Gene Chu, and Paolo Minoli. It consists of paintings, prints, photographs, original architectural drawings, statues, and documentary material on installations, including performances. The donation of the works by Italian artist Pino Poggi (donated in 1998) provides the basis for a developing an International Museum of Social Aesthetics.
The collection of 19th- and 20th-century Slovene art reflects several decades of the gallery's exhibitions programme, and features the work of, , , , , , , , , , and others. The most significant segment of the collection are works by artists who are natives of Carinthia or are in some way or another connected with the Mislinja, Drava, or Mežica valleys ( , , , , , , , , , etc.).
The collection not only presents the heritage from the 19th century onwards but also the most recent art trends. A special place is occupied by the works of(1874–1932), the first modern Slovene sculptor and contemporary of the impressionist painters, and by the works by painter (1865–1928), whose portraits, genre and landscape paintings establish links between the Upper Drava Valley and cosmopolitan Vienna and Munich, and also depict the landscapes of the Tyrol and Carinthia which inspired Pistor. The collection also includes some works of former Yugoslav authors.
Collection of Franc Tretjak (the African Collection)
(1914–2009) spent nearly 20 years in Africa as an economic consultant of the United Nations and donated to Slovenj Gradec his African collection consisting of domestic artefacts (vessels, ladles, calebashes, fans, baskets, musical instruments, tools, arms, etc) and items which have an ethnological value (cult objects including masks and statuettes, fetishes and amulets, objects of white and black magic, Nomoli statues and rare "antiques" from the African continent).
The open-air gallery on the edge of Štibuh Park is also arranged as a venue for cultural events. In the 1970s its cultural function was further enhanced with the installation of sculptures by selected artists (Ivan Meštrović,, Josip Diminić, Jordan Grabuloski, Ivan Sabolić, Ratko Vulanović, Ana Bešlić, etc.) under the slogan "For Peace".
The GLUK Art has organised several repercussive international exhibitions and events, starting in the mid-1970s. In 1979 the International Fine Art Exhibition exposed the problems of the socialisation of art and psycho-formation, it dealt with the peripheral areas of fine art, and touched upon the alternatives in contemporary architecture in the 1970s. An exhibition featuring works from Ossip Zadkine's collection in Paris took place in 1991. The sculpture "Memorial to the Apologist of Cubism – the Poet Guillame Apollinaire" (1937, bronze), which Zadkine presented as a gift to Slovenj Gradec at the first international fine art exhibition in 1966, was transferred from Paris – with the permission of the foundation – as late as 1990, and in the same year it took its place in the atrium of the gallery.
In the last 20 years the KGLU has featured various thematic international exhibitions (The Artist and an Urban Environment (1997); The Kitchen – From the Idea to Excession (1954–2004) (2004), 2 LIVE on the dilemmas of our existence and being, 60 years after the end of World War II (2005) – here the primary focus was on photography – a medium that decisively marked the 20th century; Thread [Nit] with 33 Slovene and foreign artists, curated by, marked the 50th Anniversary of the Koroška Gallery in 2007). In 2008 and Rado Poggi curated Necessary Discourse on Hysteria on the issue of social hysteria with artists experiencing the process of an exhibition-installation, and in the remaining 3 weeks joined by performances, discussions, theatre, talks, speeches, and video works.
Small Gallery for artists of the Koroška region
In 2009 gallery directorinitiated an exhibition room intended to focus upon regional artists.
In 2009 the project Libri of Italian sculptor and politically engaged conceptualist Pino Poggi, tightly connected with Slovenj Gradec, was on view, followed by the newest setting of the project At the Golden Thigh [Pri zlatem stegnu] by authorsand , and .