|
|
About · Contact · Help · Desk · ⚙ · 3,562 articles | Contents · A–Ž index |
This logo is missing!
If you have it, please email it to us.
Initiated by the sculptors Jakob Savinšek and Janez Lenassi, Forma Viva was modelled after an open-air symposium held in St. Margharethen quary in Austria in 1959. The idea was first carried forward in 1961, when the first two symposia were organised in Kostanjevica na Krki (wood) and in Seča near Portorož (stone).
They were joined in 1964 by Forma Viva in Ravne na Koroškem and in 1967 also in Maribor. In the course of the following five decades sculptors from all over the world participated in the project, enriching the Slovene landscape with around 350 sculptures.
As compared to the Forma Vivas in Portorož and Kostanjevica na Krki, where most of the pieces are gathered is specially designated parks, the ones in Maribor and Ravne na Koroškem are spread over the wider urban region. Both of the cities were growing fast in 1960s and the installation of sculptures was meant to humanise their new, concrete-dominated urban spaces.
Between 1964 and 1989, 7 Forma Viva sculptural symposiums were held in Ravne. Thirty sculptors from 15 countries all over the world created monumental steel sculptures, 28 of which are still preserved today and adorn the urban spaces of the town of Ravne and surrounding villages such as Prevalje, Mežica, Črna, and others.
In 2008 and later again in 2014 the Forma Viva in Ravne na Koroškem got revived.
In 1999 the catalogue Forma viva 1964–1989, Ravne na Koroškem was published. Between 2005 and 2009 thirteen sculptures were renovated including the works of Zvonimir Kamenar (roundabout in Ravne), Roberto Steel (Kotlje-Rimski Vrelec), John Hoskin (Ravne), Katsuyi Kishida (Javornik), Yuki Oyanagi (Ravne), Koji Ishikawa (Janeče).
Culture.si offers information on Slovene cultural producers, venues, festivals and support services, all in one place. It encourages international cultural exchange in the fields of arts, culture and heritage. The portal and its content is owned and funded by the Ministry of Culture, funded by the European Union Recovery and Resilience Plan and developed by Ljudmila Art and Science Laboratory.