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11 Mar 2016
27 Mar 2016
L’innocente, directed by Diego de Brea and produced by Mladinsko Theatre, and Faust, directed by Tomaž Pandur (Pandur.Theaters) and produced by Slovene National Theatre Drama Ljubljana, at the Ibero-American Theater Festival of Bogota
16 Apr 2015
3 May 2015
Shakespeare’s King Lear, directed by Tomaž Pandur (Pandur.Theaters), supported by the Embassy of the Republic of Slovenia Athens,
21 Nov 2014
11 Jan 2015
Goethe’s Faust, directed by Tomaž Pandur (Pandur.Theaters) with Livija Pandur, Lada Kaštelan, Boris Benko, Primož Hladnik and Aljoša Rebolj
4 Jul 2014
6 Jul 2014
Euripides's Medea, directed by Tomaž Pandur and co-produced by Pandur.Theaters, at the 18th International Ancient Greek Drama Festival, supported by the Embassy of the Republic of Slovenia Athens,
25 Sep 2013
27 Sep 2013
Michelangelo, directed by Tomaž Pandur and produced by Pandur.Theaters and Croatian National Theatre Zagreb,
1 Sep 2013
7 Sep 2013
Michelangelo, directed by Tomaž Pandur and produced by Pandur.Theaters and Croatian National Theatre Zagreb,
18 Jul 2013
22 Aug 2013
Performances - Euripides's Medea, directed by Tomaž Pandur (Pandur.Theaters), Plato's Trial of Socrates, directed by Tomi Janežič, and Prokofjev's ballet Romeo and Juliet, produced by the Slovene National Theatre Maribor, and a concert by violinist Lana Trotovšek and pianist Simon Lane,
at the Dubrovnik Summer Festival
12 Jul 2013
The world première of Michelangelo, directed by Tomaž Pandur and produced by Pandur.Theaters and Croatian National Theatre Zagreb,
at the Mittelfest
6 Jun 2013
1 Sep 2013
25 Mar 2013
11 Nov 2012
11 Oct 2012
18 Oct 2012
28 Sep 2012
5 Oct 2012
10 Jul 2012
25 Aug 2012
The Slovene Philharmonic Orchestra; Sophocles's Oedipus the King directed by Eduard Miler; Divine Comedy, choreographed by Edward Clug, music by Milko Lazar and Borut Kržišnik, costumes by Maja Mirković; and Euripides's Medea, directed by Tomaž Pandur (Pandur.Theaters)
at the Dubrovnik Summer Festival
28 May 2012
6 Jun 2012
War and Peace by Tomaž Pandur, coproduced by Pandur.Theaters and Maribor, European Capital of Culture 2012
Theatre director Tomaž Pandur started developing his authentic and creative approach to theatre already prior to his graduation at the Academy for Theatre, Radio, Film and Television with his theatre productions in the frame of the Thespis' Wagon - The New Slovene Theatre. The play that turned the then promising director into a well-known and even controversial author was the 1989 production of Scheherazade [Šeherezada], produced by Mladinsko Theatre, which received all the first prizes and laurel wreaths at the International Theatre Festival MESS in Sarajevo and was also extremely well received by the audiences, as it remained on repertoire for over 10 seasons. From 1989 to 1996, Pandur was the Artistic Director of the Drama unit of the Slovene National Theatre Maribor, where he started realising his theatrical visions with plays such as Faust (1991), Hamlet (1992), Carmen (1993), Divine Comedy (1994), Russian Mission [Ruska misija] (1995), co-produced by Steirischer Herbst, Austria, etc.
From the very beginnings, Pandur's productions evince an avid interest in the capital works of world spiritual heritage, drawing on and from the greatest literary authors, literary figures, myths, narratives and personalities. Serving as an inspiration, Pandur tackles these great themes in an entirely new way, combining literary, musical, visual, dance, and movement elements into a theatrical form of its own right. It is said that his theatre is multicultural, as it draws on Western as well as non-Western (theatre) practices, ranging from Balinese dance, Noh, Dervish dances, Commedia dell Arte, Butoh, Biomechanics, to mention but a few. In terms of genre, Pandur has directed pure dramatic theatre plays, a ballet Alas (2006), produced by Compania Nacional de Danza, Madrid, Spain, and two operas, however the bulk of his productions are extremely hybrid in the sense of post-dramatic theatre. Always fluid and diffuse, his productions are characterised by an an intermedia approach in which text, printed letters, video, photography, sound and signs make a separate and equally valuable instrumentarium for making theatre.
[[Category:Maribor, European Capital of Culture 2012]
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