Difference between revisions of "International Federation of Film Critics (FIPRESCI), Slovenia"
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The International Federation of Film Critics (FIPRESCI) originated in 1925 when some film journalists from Paris and Brussels founded a Professional Association of the Film Press. | The International Federation of Film Critics (FIPRESCI) originated in 1925 when some film journalists from Paris and Brussels founded a Professional Association of the Film Press. | ||
− | The purpose of the | + | The purpose of the FIPRESCI, as set out in its statutes, is to develop on an international scale the activities of its members, particularly: (1) to safeguard the freedom and ethics of film criticism and film journalism and of information; (2) to promote and expand the idea of the cinema as a means of artistic expression and of cultural education; (3) to discuss, define and confirm the specific rights and obligations of film criticism and journalism; (4) to encourage the exchange of ideas and experience among film critics and film journalists of all countries and thereby create, outside all ideological and political distinctions, a new foundation for a permanent dialogue; and (5) to publish and distribute all the documents which accord with this view. |
== See also == | == See also == | ||
* [[FIPRESCI Slovenia Award]] | * [[FIPRESCI Slovenia Award]] | ||
− | *[[LIFFe-FIPRESCI Award]] | + | * [[LIFFe-FIPRESCI Award]] |
==External links== | ==External links== | ||
− | * [http://www.fipresci.org/ | + | * [http://www.fipresci.org/ International Federation of Film Critics FIPRESCI website] |
[[Category:Film support services]] | [[Category:Film support services]] |
Revision as of 20:23, 15 March 2011
The international federation
The International Federation of Film Critics (FIPRESCI) originated in 1925 when some film journalists from Paris and Brussels founded a Professional Association of the Film Press.
The purpose of the FIPRESCI, as set out in its statutes, is to develop on an international scale the activities of its members, particularly: (1) to safeguard the freedom and ethics of film criticism and film journalism and of information; (2) to promote and expand the idea of the cinema as a means of artistic expression and of cultural education; (3) to discuss, define and confirm the specific rights and obligations of film criticism and journalism; (4) to encourage the exchange of ideas and experience among film critics and film journalists of all countries and thereby create, outside all ideological and political distinctions, a new foundation for a permanent dialogue; and (5) to publish and distribute all the documents which accord with this view.