Zavod GVR
Litostrojska 10, SI-1000 Ljubljana
Phone386 (0) 1 519 3086
Vlado Repnik, Director
Phone386 (0) 31 589877
Difference between revisions of "GVR babaLAN Institute"
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| − | [[GVR]] - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in [[established::1992]] by Vlado Repnik. A vehicle for the work of the theatre director and multimedia artist Vlado Repnik, the institute recently increasingly | + | [[GVR]] - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in [[established::1992]] by Vlado Repnik. A vehicle for the work of the theatre director and multimedia artist Vlado Repnik, the institute has been recently increasingly focusing on the production of internet and intermedia projects. GVR's most recent production is the performance ''Evergreen - Comments on Media'' [Evergreen - komentarji o medijih] (2009), co-produced by the frequent collaborating institute [[Intima Virtual Base]], [[Bunker Institute]], and [[Eẋ Ponto International Festival]], which aimed to reflect on the paradoxical layers of our perception and different understandings of media translations. |
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==Background== | ==Background== | ||
| − | Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project ''THEATRE'' (GLEDALIŠČE), which in 1988 produced the performance ''Helios'', based on Bertolt Brecht's ''Galileo Galilei'', with the students of the [[Academy of Theatre, Radio, Film and Television (AGRFT)]]. Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance ''Brigades of Beauty'' [Brigade lepote], which | + | Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project ''THEATRE'' (GLEDALIŠČE), which in 1988 produced the performance ''Helios'', based on Bertolt Brecht's ''Galileo Galilei'', with the students of the [[Academy of Theatre, Radio, Film and Television (AGRFT)]]. Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance ''Brigades of Beauty'' [Brigade lepote], which premièred at [[Cankarjev dom Culture and Congress Centre]] and featured the acclaimed Slovene painter Jože Tisnikar, who performed an autopsy within the performance, thus functioning as the token for the 'intrusion of the real', which later prompte Repnik to call his theatre GVR (Gledališče vdor realnega; in English Theatre the Intrusion of the Real), and ''Gertrude Stein'' (1994), shown at the Pula Festival, Croatia, at the Prague Quadrennial, and directed the performance ''I tempi passati'' (1999) at the [[Mladinsko Theatre]], etc. |
==Overview== | ==Overview== | ||
Revision as of 17:36, 16 March 2010
Contact
Background
Together with the theatre director Bojan Jablanovec and the architect Aljoša Kolenc, Vlado Repnik set the ground for his later theatre research oriented projects in the project THEATRE (GLEDALIŠČE), which in 1988 produced the performance Helios, based on Bertolt Brecht's Galileo Galilei, with the students of the Academy of Theatre, Radio, Film and Television (AGRFT). Repnik's subsequent theatre production is marked by continual conceptual shifts, while the projects move along the edges of the visual arts and theatre. In 1990, Repnik created the acclaimed performance Brigades of Beauty [Brigade lepote], which premièred at Cankarjev dom Culture and Congress Centre and featured the acclaimed Slovene painter Jože Tisnikar, who performed an autopsy within the performance, thus functioning as the token for the 'intrusion of the real', which later prompte Repnik to call his theatre GVR (Gledališče vdor realnega; in English Theatre the Intrusion of the Real), and Gertrude Stein (1994), shown at the Pula Festival, Croatia, at the Prague Quadrennial, and directed the performance I tempi passati (1999) at the Mladinsko Theatre, etc.
Overview
); Lighty Tiny Bird on Tiny Branch, 1996; Apolonija (Grenze am Fluss, Bad Radkesburg, Austria) 1998; I tempi passati, 1999; To Bee or Not to Bee, 2000; Human Rights, 2001 (Cassandra - staged in Madrid, Lisabon, Rome); Gfest, 2002; Back Unit, a fairy tale 2002-2004; The Minotaure Song, 2004; net project, 2004; and the intermedia project Mary, Piss on Takashi Please! in collaboration with Klančnik and Štromajer of Intima Virtual Base, staged in March 2005 at Museum of Modern Art. In 2006 the Theatre Protocol installation was exhibited in the Kapelica Gallery in Ljubljana and the All about Lessoto project presented at KIBLA Multimedia Centre in Maribor.
The name GVR is not translatable but is expressed by the group as a multitude of linguistic associations in a variety of languages, for example G = Gorgonsole = Gallery = Gotvan = Gledališče (Theatre) = Grizli = Gloksinia = G-spot, V = Virtual = Vade (mecum) = Vdor Intrusion = Vegetarian = Velarius = Vulva = Vaquero, R = Real...
See also
External links
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GVR - institute for contemporary arts is an institute for contemporary multimedia, visual, and performing art established in 1992 by Vlado Repnik. +
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