7 Feb 2020
9 Feb 2020
The screenings of the restored versions of On Our Own Land (1948) and The Valley of Peace (1956), directed by France Štiglic (Triglav Film); Real Pests (1977), directed by Jože Bevc (Viba Film Studio); Funeral Feast (1969), directed by Matjaž Klopčič (Viba Film Studio), supported by the Embassy of the Republic of Slovenia Skopje and Slovenian Film Centre,
11 Jul 2018
18 Jul 2018
The screenings of The Basics of Killing, directed by Jan Cvitkovič (Perfo Production), in the Parallels and Encounters section, and Funeral Feast (1979), directed by Matjaž Klopčič and produced by Viba Film Studio, in the Homage Programme to Aleksandar Lifka Award Laureates,
at the European Film Festival Palić
15 Feb 2018
25 Feb 2018
Germany Berlin Cinemax X 19,Marriott Studio,Martin-Gropius-Bau
Screenings of I Act, I Am, produced by Filmostovje and co-produced by Slovenian Film Centre and Viba Film Studio; Kolja Saksida's series of short animated films Koyaa, produced by ZVVIKS, Institute for Film and Audiovisual Production; and What Comes Around, co-produced by Iridium Film; with screenwriter and director Maja Prettner at the Berlinale Talent Campus,
at the Berlinale, Berlin International Film Festival
21 Mar 2017
27 Mar 2017
Family Film, directed by Olmo Omerzu (Arsmedia), Liberation Day, and Valley of Peace, directed by France Štiglic, Nightlife, directed by Damjan Kozole (Vertigo), The Time of Crisis, directed by Franci Slak (Radio-Television Slovenia (RTV Slovenia), Viba Film Studio), Borders, directed by Damjan Kozole (Vertigo), and A New Home, directed by Žiga Virc, supported by the Slovenian Culture and Information Centre, Vienna (SKICA), Embassy of the Republic of Slovenia Vienna,
at the LET'S CEE Film Festival
21 Apr 2016
24 Apr 2016
Slovakia Bratislava Cinema Lumière
Screenings of Class Enemy, directed by Rok Biček (Triglav Film), Šiška Deluxe, directed by Jan Cvitkovič (Perfo Production), Rooster's Breakfast, directed by Marko Naberšnik (Arsmedia), Dad, directed by Vlado Škafar (Gustav Film), Funeral Feast, directed by Matjaž Klopčič (Viba Film Studio), and The Alexandrians, directed by Metod Pevec (Vertigo), at the Slovenian Film Days, co-organised by the Embassy of the Republic of Slovenia Bratislava,
14 Dec 2013
30 Dec 2013
Israel Haifa,Herzliya,Holon,Jerusalem,Rosh Pina,Sderot,Tel Aviv
A screening of Slovene films in Israel: Slovenian Girl (Vertigo), Dancing in the Rain (Viba Film Studio), A Trip (Perfo Production), Gravehopping (Staragara), Guardian of the Frontier (Bela Film Ltd, ), and Dad (Gustav Film, Sinhro Studio 100, and Propeler film - Zagreb), supported by the Embassy of the Republic of Slovenia Tel Aviv,
24 Sep 2013
Continuous film production in Slovenia started just after World War II. There were some minor production companies even before then (such as Sava Film established in 1927 or Emona Film established in 1939) which produced nearly exclusively just short films – with the exception of two feature-length films, a kind of alpine drama with documentary inserts called Triglavske strmine (The Slopes of Triglav, 1932) and the semi-documentary/semi-fiction film V kraljestvu Zlatoroga (In the Realm of the Goldenhorn, 1931) – but the foundations for a proper national film industry (studio, production and distribution company) were built up only later, in 1946. In that year, the production company Triglav Film (which also had its technical film foundation) and the distribution company Vesna Film were established. In 1956 the decision to separate the production from the technical foundation came: the film production stayed at Triglav Film while the technical foundation was incorporated into the newly established company Filmservis.
Not satisfied completely with the then-current situation that had not improved even with the latest changes, the [[Association of Slovenian Filmmakers] decided to establish their own production company: Viba Film, which quickly became the leading production company in Slovenia. Triglav Film's production rapidly dropped, later causing great financial problems; in 1966 they declared bankruptcy and Viba Film took over part of Triglav Film's activity and premises. Later, in 1975, the whole company was integrated into Viba Film which, until 1991, was practically the only production company in Slovenia since the new, independent film production companies (like AS Filmske alternative and Vertigo/Emotionfilm) did not begin to emerge until the end of the 1980s.
The 1990s began with big political and economical changes (the independence of Slovenia and the transition to the market economy) which also greatly influenced the Slovene film industry. Viba Film had difficulty adapting to the new economic conditions so the Slovene government decided to implement some institutional changes. In 1994 the Slovenian Film Fund (since 2011 Slovenian Film Centre) was established and took over the national film production while Viba Film was transformed into the national technical film foundation. But that was not the only change for Viba Film: because of the process of denationalisation Viba Film also had to move from its premises (up to the end of 1995 its film studio and other facilities were located at Zrinjskega 9 in Ljubljana, in the building that was actually St. Joseph's Church). The construction of a new film studio soon began and in 2003 Viba Film began to operate in its new premises – a modern film studio with facilities for film production, post-production and administration, covering nearly 10,000 square metres of space.
Viba Film Studio was and still is primarily intended for national film production but when it is not involved in any domestic film project it can offer its facilities and technical services on the market. Although when it was established a production company supported by the state already existed (Triglav Film), Viba Film Studio quickly imposed itself as the main Slovene film production company. In the period between 1956 and 1991, it produced 92 films: 61 autonomously and 31 in co-production with other Slovene and Yugoslav production companies. Some of the titles produced in that period are: Kala (1958) by Andrej Heing and Krešo Golik; A Minute for Murder (Minuta za umor, 1962) by Jane Kavčič; Good Luck, Kekec (Srečno, Kekec, 1963) by Jože Gale; On Wings of Paper (Na papirnatih avionih, 1967) by Matjaž Klopčič; Red Wheat (Rdeče klasje, 1970), a co-production with FRZ – Centar filmskih radnih zajednica Srbije, Belgrade, by Živojin Pavlović; Masquerade (Maškarada, 1971), a co-production with Kinematografi Zagreb by Boštjan Hladnik; Farewell until the Next War (Nasvidenje v naslednji vojni, 1980), a co-production with Vesna Film by Živojin Pavlović; The Raft of Medusa [Splav Meduze] (1980), a co-production with TV Beograd by Karpo Godina; The Felons (Hudodelci, 1987), a co-production with Art film, Belgrade, by Franci Slak; Artificial Paradise (Umetni raj, 1990) by Karpo Godina; and so on.
Since 1994 when Viba Film became a film studio serving as a technical foundation for the national film production the majority of Slovene films have been produced using its studio or/and technical services. Some of those are: Gone With the Train (Ekspres, ekspres, 1995) by Igor Šterk; Fortress Europe (Trdnjava Evropa, 1999) by Želimir Žilnik; Bread and Milk (Kruh in mleko, 2000) by Jan Cvitkovič; Guardian of the Frontier (Varuh meje, 2000) by Maja Weiss; Spare parts (Rezervni deli, 2002) by Damjan Kozole; Ljubljana the Beloved (Ljubljana je ljubljena, 2005) by Matjaž Klopčič; Landscape No. 2 (Pokrajina št. 2, 2008) by Vinko Möderndorfer; Slovenian Girl (Slovenka, 2009) by Damjan Kozole, etc.
Furthermore, Viba Film has also been involved in several international productions that have included a (bigger or smaller) Slovene share such as Lily's Story (Lilijina zgodba, 2002) by Robert Manthoulis; Summer in the Golden Valley (Poletje v zlati dolini, 2003) by Srdjan Vuletić; I am from Titov Veles (Sem iz Titovega Velesa, 2004) by Teona Strugar Mitevska; Grey Lorry of Red Colour (Sivi kamion rdeče barve, 2004) by Srdjan Koljević.
Viba Film offers its facilities also for non-film-related projects like concerts, theatre and dance performances, etc. In the past few years its studio has hosted events such as a concert of Laibach music group, the theatre performance 100 Minutes by Tomaž Pandur, and the acclaimed Butoh dance performance Koora by choreographer Tanja Zgonc co-produced by Dance Theatre Ljubljana and Dance Week Zagreb (Hrvatski institut za pokret i ples, Zagreb) which appeared as part of Eẋ Ponto International Festival in 2003, the performance FAKE it! by Janez Janša, produced by the Exodos Institute in 2007, Arsenal Depo 2K9. Contemporary Research Art curated by Jurij Krpan in 2009, etc.