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===hEXPO Festival=== | ===hEXPO Festival=== | ||
− | In 2000 the Egon March Institute organised ''hEXPO'' - International Festival of Self Organising Cultural Forms, a synchronised action carried out by 15 co-producers with over 70 international guests. The 3-week festival took place in Maribor ([[Kibla]], [[Pekarna Magdalena Network]], [[Mariborski radio Študent (MARŠ)|MARŠ]]), Ljubljana ([[Metelkova mesto Autonomous Cultural Zone|Metelkova]], [[KUD France Prešeren Arts and Culture Association]], [[Kapelica Gallery]], [[Ljudmila - Ljubljana Digital Media Lab|Ljudmila]], [[Slovenian Cinematheque]], [[Radio Študent (RŠ)]]), and Koper ([[MKC Koper Youth and Culture Centre]], [[PINA Primorje Information Atelier]]). The festival was conceived and coordinated by [[Marko Košnik]], [[Katarina Pejović]], [[Meta Štular]], Monika Glahn, [[Urška Jurman]], [[John Grzinich]], [[Sabina Salamon]]. | + | In 2000 the Egon March Institute organised ''hEXPO'' - International Festival of Self Organising Cultural Forms, a synchronised action carried out by 15 co-producers with over 70 international guests. The 3-week festival took place in Maribor ([[Kibla]], [[Pekarna Magdalena Network]], [[Mariborski radio Študent (MARŠ)|MARŠ]]), Ljubljana ([[Metelkova mesto Autonomous Cultural Zone|Metelkova]], [[KUD France Prešeren Arts and Culture Association]], [[Kapelica Gallery]], [[Ljudmila - Ljubljana Digital Media Lab|Ljudmila]], [[Slovenian Cinematheque]], [[Radio Študent (RŠ)|Radio Študent]]), and Koper ([[MKC Koper Youth and Culture Centre]], [[PINA Primorje Information Atelier]]). The festival was conceived and coordinated by [[Marko Košnik]], [[Katarina Pejović]], [[Meta Štular]], Monika Glahn, [[Urška Jurman]], [[John Grzinich]], [[Sabina Salamon]]. |
===Operabils and Ditopias=== | ===Operabils and Ditopias=== |
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20 Aug 2021
22 Aug 2021
Ditopia Memotopia, video remix 2021 by Marko Košnik, Egon March Institute
at the Arterija International Festival of Visual Arts
6 Sep 2019
8 Sep 2019
STWST48X5 Stay Unfinished sessions, with an artist Marko Košnik (Egon March Institute) and a landscape architect and urbanist Urška Škerl participating
1 Jun 2018
30 Jul 2018
14 Dec 2012
A lecture by Marko Košnik, Egon March Institute at the Insular Languidity event presented by Fete dela WSK, Greenpapaya Arts Project, 98B Arts Collaboratory, and Subflex
at the Fete dela WSK
4 Jun 2011
Performance Symposium on the Past, Present and Future of the Fluxus-Movement, Is Fluxus Dead? Intermedia Rules! From Networked Performance Events to VanGoghTV, Coded Cultures and Art-on-Strike, a lecture by Marko Košnik (Egon March Institute) Globalism Rules! Immaterial Art Practises behind the Iron Curtain, a part of the EU funded project X-OP- eXchange of art operators and producers led by KIBLA Multimedia Centre
9 Nov 2010
13 Nov 2010
X-OP - eXchange of art operators and producers, including Egon March Institute project Operabil Helsinki - (Electropera Act 5), in the scope of EU funded project led by KIBLA Multimedia Centre
1 Jul 2010
30 Aug 2010
13 May 2010
15 May 2010
X-OP meeting and events, EU funded project X-OP - eXchange of art operators and producers led by KIBLA Multimedia Centre, collaborative performance Operabil Hexpo - (Electropera Act 4) by Marko Košnik, Egon March Institute
at the Avamaa International Symposium of Art and Ideas
30 Apr 2010
7 May 2010
X-OP: Festival Time and Technique produced by KIBLA Multimedia Centre, ELECTROPERA performance lecture with live topographic imagery by Marko Košnik, Egon March Institute, curatorial dinner by Petra Kapš, a lecture Dictionary of Subsidized Art - Here and Now by Aleksandra Kostić, DVD screenings by Peter Tomaž Dobrila, an exhibition and lecture Drawing by artists Polona Maher and Petra Varl, EU funded project X-OP- eXchange of art operators and producers
During the 1980s Marko Košnik collaborated with several alternative groups (Junajtit Adis, Laibach, Cavis Negra, Most). In fact the name of the Institute first appeared in the context of the group Most (Bridge) which consisted of Bojan Štokelj, Etbin Štefančič, Marko Košnik and others. EMI's first bigger production was Bellum Contra Solem, a performance in urban environment of Nova Gorica in 1991, conceived as a spectacle with the contribution of 20 artists.
EMI collaborated with Radio Študent (RŠ) with a regular transmission programme Egon March Institute presents (1991-1996) which initiated a free media university MUU (Media Uplink Unit), an alternative radio production school for radio activists from Germany and Austria. Based on this experience Ministry of Experiment (MZX) was founded by Borut Savski, Bojan Ažman, Luka Frelih and Marko Košnik. The later acted as an independent production unit within Radio Študent between 1997 and 2000.
In 1992 EMI produced and coordinated the Ljubljana participation at the Van Gogh TV Piazza Virtuale in the frame of dokumenta IX in Kassel. A live broadcast project was performed in collaboration with Radio Študent (RŠ) and KUD France Prešeren Arts and Culture Association as a performance venue. The programme was broadcasted by satellite TV network 3SAT.
Egon March Institute also actively collaborated with Video Production Kregar Studio (VPK Studio) (early video production), Universcity TV, Steim, Interfulgs and XLR.
Egon March Institute has produced several sound installations, video performances, interactive theatre environments and other projects by Marko Košnik and collaborating artists. In 1991 Stvar - Das Ding - The Thing, a sound performance with electroacoustic plates (Marko Košnik in collaboration with Etbin Štefančič, Andrej Trobentar, Smiljan Šiška, Silvo Župančič, Špela Virant) was presented in Hfbk Hamburg and Cankarjev dom, Ljubljana, followed by Membrane, a sound performance with electroacoustic plates at Ostrannenie festival, Bauhaus Dessau in 1993 (Marko Košnik, Silvo Zupančič, Borut Savski, Špela Virant).
Cukrarna (Sugar Factory) was a dance performance with synchronous video (Marko Košnik in collaboration with Mateja Bučar and others) presented at Mediennbienale Leipzig in 1994, A B Sence, a dance performance in interactive environment by Marko Košnik, Mateja Bučar, Nebojša Ivanovič, Katarina Pejovič was premiered in Cankarjev dom in 1996 and presented at New Moves 1997 in Glasgow as an interacitve installation by Marko Košnik, Katarina Pejovič and Pavel Okorn.
PARA Trilogy started with Parahouse, a communication project with real-time digital processing of video transmissions at Ostranenie Festival in Dessau in 1997. Participating artists and institutions were Gerard Couty, Christian Groupner, Olivier Schulbaum, Alma Niett, Monika Glahn, Jacques Bigot, Christian Vanderborght, Antoin Vie, Vadim Fiškin, Borut Savski, Tom Demeyer, Jef Kalil, Heiko Koch, Francis, Katarina Pejović, Marko Košnik, Club Automatic, STEIM, KIEZ Cultural Centre and Egon March Institute.
A year later Paparapapa, a series of performances and a communication project (Mike Hentz, Christian Vanderborght, Margrit Rieben, Martin Schiters, Miško Šuvaković, Bojan Merc, Jurij Krpan, Marko Košnik) took place in Kapelica Gallery.
PA-RA, a multimedia theatre performance (Damjana Černe, Mateja Bučar, Dragana Cukovac, Margit Rieben, Dirk Bruinsma, Borut Kumperščak and Marko Košnik) was premiered at Cankarjev dom in 1998.
PARAHOUSEyt01 by parahouse12 on YouTube
Parahouse on Youtube
In 2000 Egon March Institute produced Desktop Cinema, a music performance with live video instrument by Margrit Rieben, Dirk Bruinsma, Marko Košnik in Kino Reitschule Bern, Slovenian Cinematheque and Pekarna Magdalena Network. A year later Theothea, a multimedia opera by Miško Šuvaković, Margrit Rieben, Dirk Bruisnma, Ulrike Gabriel, Marko Košnik, Andreas Findeisen, Monika Glahn, was held at the symposium Theatre in South - Eastern Europe in Belgrade.
In 2002 Jaap Blonk, Dirk Bruinsma and Marko Košnik trio performed at Overtoom 301 (joint production with OT301), followed by a Dutch Tour (Rotterdam, Den Haag, Nijmegen, Tilburg, produced by Jaap Blonk in 2003) and a performance at Roaratorio festival in Geneve (produced by Dirk Bruinsma in 2004).
In 2000 the Egon March Institute organised hEXPO - International Festival of Self Organising Cultural Forms, a synchronised action carried out by 15 co-producers with over 70 international guests. The 3-week festival took place in Maribor (Kibla, Pekarna Magdalena Network, MARŠ), Ljubljana (Metelkova, KUD France Prešeren Arts and Culture Association, Kapelica Gallery, Ljudmila, Slovenian Cinematheque, Radio Študent), and Koper (MKC Koper Youth and Culture Centre, PINA Primorje Information Atelier). The festival was conceived and coordinated by Marko Košnik, Katarina Pejović, Meta Štular, Monika Glahn, Urška Jurman, John Grzinich, Sabina Salamon.
In the years 2004- 2011 Egon March Institute produced Marko Košnik's Operabils and Ditopias some of them in collaboration with other artists, for example with Barbara Thun in Klanggalerie Tube in München. Operabils are modules of media opera while Ditopias are a form of in situ interactive installations, the first one presented in Caen. Since then Košnik has created over 20 Operabils and Ditopias situated in Tirania, Brno, Istanbul, Helsinki, Rijeka, Maribor, Ljubljana and other generally European cities. Among the most important Operabils are The Missing Engine of Laputa (solo performance for Dokumenta Urba 2 in Kassel, 2006), Operabil Conspirare (at the opening ceremony in the Auditorium of the Berlin festival Transmediale 08. where Košnik performed with Stephen Kovats) and Operabil Kobe (with Barbara Thun and Masayuki Sumi in 2006). Marko Košnik gave a lecture about Operablis and Ditopias and presented documentation of project presentations in Trubar Literature House in September 2011.
Electropera, a travelling festival was a three-year project (2009-2011) of Egon March Institute in the context of X-OP network, an European platform for the creation of art that joins artists, researchers, operators, producers and cultural institutions. Egon March Institute joined and synchronised production of artists, operators and curators in a an umbrella project Electropera. In a form of a touring groups, artists could therefore include different places and present their work - performances, concerts, installations, screenings and exhibitions, symposiums and workshops on various venues where they also created site specific interventions and land-art works. Egon March Institute conducted 7 premiere acts and the final presentation of the Electropera. At the first act Parahouse 12 there were 20 artists participating. The performances, installations and presentation took place in Ullsteinhaus, Berlin in January 2009. The following acts took place in Turkey, Portugal, Slovenia, Croatia, Estonia, Finland and Austria.
The largest project was Act 7: Coding the Society that Egon March Institute co.produced with K6/4 Institute in June 2011. Cyberpipe hosted a symposium with many worldwide known lecturers and artists from all over the world. Among others there were Ben Patterson (USA) from the Fluxus movement, Tom Fuersnter (Austria) and Michael Saup (Germany) - former professors of ZKM in Karlsruhe, and Andreas Findeisen (Austria, Germany) who all presented radical research areas in contemporary art, while Irene Agrivine (Indonesia), Ferial Affif (Indonesia) and Serra Ozhan Yueksel (Turkey) presented development of artistic models in eastern Indonesia and Turkey. The symposium was simultaneously upgraded with a sound system and a video projection of the happening in Cyberpipe in the Cafe Metropol (at Kersnikova) which enabled parallel dialogues, monitoring and comments. The platform for live processing of text and graphic material was managed by Boštjan Čadež, Maja Smrekar and Luka Prinčič.
Performances and stage events were held in Club K4 where visitors could see Ben Patterson: Cloning Society - Recent Developments and Jaapa Blonka (Netherlands): dr. Voxoid's Next Move. Performance - symposium presented latests developments in economy, politics, technology, culture and art and marked the 25th anniversary of the Egon March Institute.
The conclusion of the Electropera took place in Maribor with the Operabil Relocation production. Marko Košnik and Irena Tomažin had an improvised performance with video instrument and voice.
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Culture.si offers information on Slovene cultural producers, venues, festivals and support services, all in one place. It encourages international cultural exchange in the fields of arts, culture and heritage. The portal and its content is owned and funded by the Ministry of Culture, funded by the European Union Recovery and Resilience Plan and developed by Ljudmila Art and Science Laboratory.