 Nanoplotter uses a plotter, an obsolete printing machine from the 1980s, adapted to an uncommon operation. By the artist collective BridA at the U3, Museum of Modern Art, Ljubljana, 2010.
Nanoplotter uses a plotter, an obsolete printing machine from the Eighties, adapted to an uncommon operation, BridA at the U3, Museum of Modern Art, Ljubljana, 2010
BridA (Jurij Pavlica, Sendi Mango, Tom Kerševan) represents the Slovene young generation of artists while questioning artistic content and researching contemporary society with the help of art and science. Since its formation during the artists' studies at the Academy of Fine Arts of Venice in 1996 BridA has developed a series of internationally recognised artistic projects .
Since February 2009 they are partners in the Time for Nano project launched by the European Commission. Selected by Charles Esche BridA took part at the 6th edition of the U3 Triennial of Contemporary Slovene Arts in 2010.
NOT ROBOT, INFOBOX DONE, NEEDSUPDATE, NOVERIFY, NODEPO, Article, Groups, Producers, NIFERTIK, WRITING, TOPROOFREAD, HAS LOGO, New media art, NO PHOTO, Articles maintained by Simon Žlahtič, New media art producers, New media art groups
Nanoplotter uses a plotter, an obsolete printing machine from the Eighties, adapted to an uncommon operation, BridA at the U3, Museum of Modern Art, Ljubljana, 2010
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 One of the best preserved donor inscriptions on the floor of the baptismal font in the Christian Centre archaeological park, the inscription says that Ahelaj and Honorata with their families contributed 20 feet of mosaic
Emona (Latin: Colonia Iulia Aemona) was a Roman civil town, built on the site of an old indigenous settlement on the territory of the present Ljubljana around 14 AD. This is evidenced by an inscription about a donation that the city received from the emperors Augustus and Tiberius.
The Roman Emona sites in Ljubljana can be seen in several parts west of the old town centre. Emona's ground plan was 430 metres times 540 metres and was surrounded by city walls, which were 6 to 8 metres high and 2.5 metres thick. The southern city wall was redesigned in 1930s by the architect Jože Plečnik.
Emona had a population of 3,000 to 5,000 people, mostly farmers, landlords and merchants, including a small number of government officials and war veterans. Its streets were paved and its houses were built of stone with the hypocaust underfloor heating system, and connected to a public sewage system. The remains of a baptistery with a pool, mosaics, and part of portico may be seen at Erjavčeva 18, next to Cankarjev dom Culture and Congress Centre.
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